TOTP 22 MAY 1998

It might just be because I’m getting fed up of having to write something different about the same songs that keep appearing in these TOTP repeats every week but I’m starting to really dislike the Chris Cowey era of the show. Take this episode for example. It features nine songs of which only three haven’t been on before and this new practice of having the host list the names of the artists appearing on each show in their introduction isn’t convincing me. Was the landslide of names meant to distract the watching TV audience hoping they wouldn’t notice it was the same acts each week? It’s clever in a way – dazzling us with a cavalcade of names but which were blatantly the same ones each week. Talk about hiding in plain sight. Tonight’s list-reader (literally – the placard is shown on camera at one point) is the increasingly prevalent Jamie Theakston and we start with The Mavericks and their hit “Dance The Night Away”. Judging by the cutaway shots, this seems to be a reshowing of their previous performance on the show which got me thinking about just how many artists were actually in the studio with an audience on a weekly basis under Cowey? Was the show under budgetary restrictions meaning performances had to be recycled whatever their respective chart positions may be? Anyway, I think The Mavericks had a genuine case for being back on the show having risen to No 8after falling to No 10 the week before. It would rise to a peak of No 4 when the next chart was published and you know what that means…yes, they’ll be featuring in the next repeat as well. Here’s a thing though, whilst “Dance The Night Away” is undoubtedly their best known song over here, in America it seems it might be one of their least known if chart positions have any sway. Of their 15 entries on the US Country chart, only two have placed lower than “Dance The Night Away”. What does this mean? Does it, in fact, mean anything? I think I’m past caring.

OK so this next performance isn’t just a rerun of a previous one. You can tell by the camera shot that travels from Jamie Theakston positioned high up on a gantry down to the studio floor where we find Steps. Again. I think this is the third time they’ve been on performing “Last Thing On My Mind” but, as with The Mavericks before them, have a legitimate spot on the show having risen from No 9 to No 7 in the charts after falling two weeks prior. You can tell also that it’s a new performance as the group have changed their outfits to be dressed in all white. Was this to project an image of virtue and wholesomeness? To be fair, I can’t recall many Steps controversies in the press. Have there been any?

*checks internet*

Hmm. Well, there was the time Lee Latchford-Evans made some comments in an interview in 2000 that were perceived as racist that required an apology from the group’s representatives. Then there’s the upset caused by the announcement of their split on Boxing Day 2001 that some of their fan base felt was a betrayal. However, my favourite controversy is the disclosure by Lisa Scott-Lee that on the group’s 1999 US tour, Ian ‘H’ Watkins upset the other members by travelling for three months on the private jet of one Britney Spears whilst the rest of them slummed it on a tour bus. Ha!

It’s the third hit on tonight’s show in a row that we have already seen now as Imaani gets to enjoy the last few seconds of her 15 minutes of fame. She was, of course, the UK’s 1998 Eurovision entry but with the contest having been and gone nearly two weeks ago, interest in her and her song “Where Are You?” was starting to wane. That being said, she had moved up 17 places in this week’s chart which was the biggest leap of the year to that point but her position of No 15 would be where her trajectory stopped. Had she won instead of losing by a mere six points would things have turned out differently for Imaani? I’m not so sure. I just don’t think her song was that memorable. Gina G didn’t come anywhere near to winning two years before yet “Ooh Aah…Just A Little Bit” was a huge seller going all way to No 1 precisely because it was memorable whether you liked it or not. Instead, Imaani became the first UK Eurovision artist not to make the Top 10 since Frances Rufelle in 1994.

A new song! Finally! Yeah, but it’s that remake of “Kung Fu Fighting” so careful what you wish for…Officially credited to Bus Stop featuring Carl Douglas as it featured samples of the latter’s original No 1 from 1974, this was another example of that heinous trend for taking songs from the past and ‘updating’ them with the addition of a nasty Eurodance backbeat and a rap, the lyrics of which, read as if they were literally being made up freeform, on the hoof (see also Clock). Daz Sampson was the main guy behind Bus Stop who would go on to represent the UK at Eurovision in 2006 coming 19th out of 24 acts.

The original 1974 hit capitalised on the popularity of the martial arts films of Bruce Lee in the early to mid 70s and the TV series Kung Fu starring David Carradine and included prominently the ‘Oriental Riff’*, a Western trope to represent the setting of East or Southeast Asia. It’s also used in Aneka’s “Japanese Boy” and “Turning Japanese” by The Vapors. Is it in Iggy Pop’s “China Girl” as covered by David Bowie as well? Not sure.

*I believe the use of the word ‘oriental’ is not considered racist as long as it isn’t referring to a person.

It’s sometimes concluded by the sound of a gong. Off the top of my head, I can think of two songs that utilise that – “Big In Japan” by Alphaville and “Burning Sky” by The Jam but there must be more. Anyway, back to “Kung Fu Fighting” and it has twice been voted the No 1 One Hit Wonder in Channel 4 polls even though Carl Douglas had two other minor hits and despite the fact that the 1998 remake made it a hit all over again when it reached No 8. As for Bus Stop, they forged themselves a small pop career with two further remakes of songs that were hits way back when from Bachman-Turner Overdrive and Van Halen before doing us all a favour and knocking it on the head. I did quite enjoy the high kicking by the backing singer in this performance though, plus I noticed her doing that arm roll move that the Steps routine was based around. Was that a thing back then? Bizarrely, this was the second Kung Fu themed hit in this month after 187 Lockdown’s No 9 hit “Kung Fu”. However, my favourite song featuring “Kung Fu” in the title would be this…

It’s taken a while but Lutricia McNeal has finally released her follow up to “Ain’t That Just The Way” that debuted on the chart back in November 1997. I’m guessing that the reason for the delay was the chart longevity of that single which stayed inside the Top 40 for nigh on four months. Her management had to wait for the sales to subside so as not to affect those of any follow up. “Stranded” was said follow up and it was more of the same, radio friendly R&B/pop hybrid that was beloved of daytime radio controllers. I mean, it’s pleasant enough chugging away on a radio in the background but it was never going to grab my ears and make me want to turn the volume up LOUD! What’s more interesting to me than her song is the lighting on this performance. It seems to be in black and white except for some pools of spotlight of a blue-ish/purple hue. Was that Cowey trying to be all arty? Or is my TV on the blink?

It’s a third time on the show for The Tamperer featuring Maya with “Feel It” which, like the Bus Stop hit before it, was heavily based around a hit from a previous era – “Can You Feel It” by The Jacksons. Didn’t anyone have any original ideas in 1998? OK, that’s not really a fair comment. The notion of combining The Jacksons with a little known track by a little known outfit in Urban Discharge and creating one of the most unlikely but memorable hooks of the decade with the line “What’s she gonna look like with a chimney on her?” was creative inspiration in action. After two more hits though, Maya went missing in action and left the project. Well, she wasn’t exactly missing in action. She actually went to join the cast of Rent on Broadway and when her contract with her record label was up, it wasn’t renewed. Mystery solved. Maya Days would continue her acting career with roles in Jesus Christ Superstar and Elton John and Tim Rice’s Aida. As far as I can tell, she has yet to play a character that involved wearing a chimney.

Now I thought my knowledge of Shed Seven hits was pretty good – not infallible but not bad at all. However, I find myself undone by this one – “The Heroes”. Nothing to do with Bowie’s classic track – the addition of a definite article in the title makes that clear and in any case, if they were tempted to do a cover version then Oasis had already beaten them to it – this was actually the third single taken from their third studio album “Let It Ride”. In my defence, it lasted only two weeks on the Top 40 suggesting that it was just the completists in their fan base buying it. It doesn’t sound strong enough to be a single to me – much more of an album track. It’s… well… a bit downbeat and glum. Maybe they should have released a cover of “Heroes” after all.

Eh? All Saints have gone back to No 1 after being deposed by Aqua last week? Looking at the rest of the Top 10, I’m thinking it wasn’t the biggest week for new releases with the highest being Lutricia McNeal at No 5 which might have accounted for this. To mark the occasion, we get both songs of their double A-Side single “Under The Bridge / Lady Marmalade”. Who did All Saints think they were? Oasis? The Jam? It’s just the previous appearances on the show spliced together though rather than a new exclusive performance.

In a couple of weeks, another all girl group will be at No 1 and it’s not the Spice Girls. Que Será Será or should that be C’est La Vie?

Order of appearanceArtistTitleDid I buy it?
1The MavericksDance The Night AwayI did not
2StepsLast Thing On My MindNever happening
3ImaaniWhere Are You?Negative
4Bus Stop featuring Carl DouglasKung Fu FightingNope
5Lutricia McNealStrandedNot for me thanks
6The Tamperer featuring MayFeel ItNah
7Shed SevenThe HeroesNo
8All SaintsUnder The Bridge / Lady MarmaladeNo but my wife had the album I think

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree.

https://www.bbc.co.uk/iplayer/episode/m002j0xt/top-of-the-pops-22051998?seriesId=unsliced

3 comments

  1. Anonymous's avatar
    Anonymous · September 12

    The Cowey era has been nothing but repetition. I criticised the Blaxill era due to his constant usage of guest hosts but I wish he came back now!

    Liked by 1 person

  2. Essor's avatar
    Essor · September 15

    I used to think I stopped watching the show around 1998 as I was just a fresher and had other things on. I now suspect it’s because the show became unwatchable!

    Liked by 1 person

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