TOTP 22 AUG 1991
Welcome back to TOTP Rewind where I’m pretty sure we are about to witness the very last time that Bruno Brookes hosted the show. Yes, that annoying little git that seems have been hanging around forever is about to be deprived of one of his regular gigs and it’s come not a moment too soon as far as I’m concerned. I wonder if he knew this would be his last appearance at the time? Obviously it wasn’t just Bruno who was being ousted though. The great TOTP ‘Year Zero” cull that happened in October 1991 would take out all of those Radio 1 DJs that had been inviting themselves into our sitting rooms every Thursday for years in one fell swoop. We will see valedictory appearances by Mark Goodier, Jakki Brambles, Simon Mayo, Nicky Campbell and Gary Davies in the weeks to come. I wasn’t particularly a fan of any of them but Brookes was such an irritating little runt (yes that’s ‘runt’ although it could easily have been another word ending in ‘-unt’) that I think it’s his removal that pleases me the most. Despite his TOTP dismissal, he still had his Radio 1 post that he had been in since 1984 and somehow he would survive for another four years there before new Head of Radio 1 Production Trevor Dann axed him with the infamous words “…Why is Bruno on? You know, he seems to have a charmed life, because if the view was ‘we must get rid of the dinosaurs’, you know we’ve got this behemoth striding the airwaves of dawn”. Anyway, lets see if Brookes makes a decent fist of his last show or if he makes a few howlers like always…
He starts off with zero controversy (even his usually elaborate wardrobe has been toned down) as he introduces someone else making their final TOTP appearance on the show in Midge Ure. I was listening to some Ultravox on Spotify earlier and some of their Ure-period stuff was pretty good. I’m thinking about the likes of “All Stood Still”, “Hymn” and “Dancing With Tears In My Eyes” rather than the pompous “Vienna” (which I never liked that much) and the frankly ridiculous “We Came To Dance”. A lot of Midge’s solo stuff paled in comparison to his Ultravox high points. Some of it was OK but even his most successful stuff like surprise 1985 No 1 “If I Was” I found laborious and uninspiring. “Cold Cold Heart” was hardly electrifying and could be filed under the category of ‘meh’.
Although he’s got rid of his horrid ponytail, Midge still has a cracking pair of sideburns on display here. Pretty bold stuff as I don’t remember them being an essential male fashion accessory back then. Of course, these days Midge is actually bald rather than bold. The rather ham fisted attempt to show off the song’s Celtic credentials at the end via the use of three tympanum drums looks a bit daft to me. “Cold Cold Heart” peaked at No 17.
Oh, here we go…what’s Bruno on about now? There are two records at No 21 in the chart run down? What?! For once, Brookes hasn’t made a right ricket as there were two No 21 records that week. Apparently Oceanic and Sophie Lawrence had pulled in the same amount of sales and so, after the furore the previous year surrounding the Dee-Lite / Steve Miller Band debate about who should have been No 1 after sharing the exact number of sales, Gallup had made the policy not to try and separate artists in these circumstances but would instead grant them equal chart billing.
The soundtrack to this unusual countdown was supplied by The Prodigy who were having a huge hit with their debut single “Charly”. Infamously sampling the 1970s BBC Public Information Film Charley Says, I for one did not see them becoming such huge players in the dance scene of the 90s and beyond off the back of it. That mining of vintage Childrens TV programs as source material for dance tracks would become a thing of sorts . Following in the steps of “Charly” came amongst others Smart E’s “Sesame’s Treet”, Urban Hype’s “A Trip to Trumpton” and “Roobarb & Custard” by ShaFt. This short-lived genre even had a name which I was unaware of until now which was ‘Toytown Techno’.
I would come to appreciate The Prodigy much more as the decade wore on and their Glastonbury performance of 1997 remains spectacular. For now though, I think I almost dismissed “Charly” as a novelty. Maybe I just didn’t like to be reminded of those 70s public informations films, of which none were more scary than this one:
“Rave on!” exclaims Bruno at the end of the Prodigy video sounding like he was auditioning for a part in Peter Kay’s Phoenix Nights. The turd. Right, here’s somebody new even if the song had been out before. Nothing to do with Elkie Brooks (that was “Sunshine After The Rain”), this little pop nugget was called “Sunshine On A Rainy Day” and was written by legendary producer Youth for his then girlfriend Zoë but it failed to find an audience when originally released in 1990 when it peaked at No 53. However a remix by Mark “Spike” Stent earned it a second shot at the charts and this time it powered all the way to a high of No 4. Youth seemed to be preoccupied with writing songs about rain back then as he also co-wrote Blue Pearl’s 1990 hit “Naked In The Rain”.
Zoë’s hit song though captured something of the essence of 1991 it seemed to me. Was it the mix of hypnotic dance beats with a folky song structure or just that uplifting, sing-a-long chorus pre-fixed with a shout of ‘Yay!’ from Zoë that so beguiled? Or was it just that Zoë herself cut quite the pop star figure in this performance? I seem to remember a few male work colleagues being quite taken with her.
Sadly for Zoë, it never got any bigger or better than this for her as a singer. One minor Top 40 hit followed called “Lightning” but her album “Scarlet Red And Blue” disappointed commercially. She returned with a new rock sound in 1996 with a song called “Hammer” which seemed to be trying to ride on the Alanis Morissette bandwagon but nobody noticed nor cared. After its failure, she left the music business to become a sculptor and potter although she has since recorded material under the alias Hephzibah Broom.
So The Prodigy creating Toytown Techno proved to be a case of “What Can You Do For Me” and passed me by completely but an act sampling proper pop records and making them into dance anthems proved to be “Something Good” I could get behind. OK, enough for the puns but I have always had a soft spot for Utah Saints. Their ambition according to themselves was to get rock ‘n’ roll into rave and they achieved this by sampling Eurythmics’ “There Must Be An Angel (Playing With My Heart)” and Gwen Guthrie’s “Ain’t Nothin’ Goin’ On But The Rent” to outstanding effect.
Originating from the Leeds club scene where they hosted their own nights, their name was nothing to do with toothy 70s boy band The Osmonds who hailed from Ogden, Utah. No, here’s @TOTPFacts with the real story behind that name:
So now you know. Anyway, they hit big immediately with their debut single “What Can You Do For Me” making the Top 10. Now I’ve read both Dave Stewart’s autobiography and a biography of Annie Lennox and I don’t remember anything in either about there being a dispute between Annie and Dave about allowing Utah Saints to use a sample of “There Must Be An Angel (Playing With My Heart)” as Bruno Brookes suggests there is. “Annie Lennox wanted it banned but Dave Stewart thinks it’s a smash. What do you think?” he rambles in his intro. I can’t find any mention of it online either. In fact the only Utah Saints / Annie Lennox reference I found was that they did a remix of one of her solo singles (“Little Bird”) in 1993 so she can’t have been that pissed off with them.
Another song that made it to No 10 in the charts was this one from Jason Donovan although Brookes can’t resist one final incorrect chart prediction when he says that it’s “no doubt a future No 1”. Maybe he was basing his forecast on the fact that Jase’s last single “Any Dream Will Do” had gone to No 1. That song’s success though was backed up by Donovan performing it live twice a day all week at the London Palladium in the lead role of Joseph and the Amazing Technicolor Dreamcoat. A little naive I think from Bruno to think that chucking out an unimaginative cover of “Happy Together” by The Turtles would repeat the trick. Not that there’s anything wrong with the song – I love the original version – but Donovan’s take on it brought nothing new to the table at all. It just seemed a lazy choice of song and indeed it had been cynically shoe horned onto his recent Greatest Hits album presumably with the intention of releasing it as a single all along.
Even Donovan can’t really be arsed to sell the record too much in this performance. At one point he does a Paul McCartney ‘whacky tombs aloft’ gesture for some reason and then his panicked facial expression immediately afterwards gives away that he suddenly thought what did I did that for?! “Happy Together” was Jason’s final UK Top 10 hit.
It’s that song by Karyn White that was a Breaker last week next. It turns out that Karyn is quite the businesswoman. She started her own music label and entertainment company in 2011 called Karyn White Enterprise Inc and also runs a successful interior design and real estate business. Not content with that, she’s also tried her hand at acting and is still recording with her last release being in 2018. If only she had given video directing a shot as well – it may have livened up the video for “Romantic”. The ‘storyline’ for it as listed on the IMDB database is this:
The music video begins with Karyn White pulling up in a sports car. She sings as she wears pearl necklaces against a gray background. A group of dancers strike poses throughout.
Seruously?! Did somebody pitch that as an idea and got the gig?! “Romantic” peaked at No 23.
“Onto more rave” announces Bruno as we head into the No 21 hit (of which there are two of course this week) sound of Oceanic with “Insanity”. Now you know me, I could never be described as a dance head but after Utah Saints earlier, this is the second dance anthem of the show that I didn’t mind at all. I think it was that huge, euphoric chorus or maybe even the key change at the finale. There seemed to be much more of a traditional song structure to it than some of the other dance tracks of the time. Here’s David Harry of the band on that very subject courtesy of @TOTPFacts:
OK, well the comparison between Oceanic and Nirvana slightly undermines the point but I think you get the gist.
What? You want to hear about my Oceanic story? Oh OK. Well, I was once at a freebie record company do (possibly the Ricky Ross album playback) whilst I was working for Our Price and I’d arrived at the venue before any of my colleagues. I’m not great at parties anyway so I found myself mooching around feeling lost. I spotted someone else who appeared to be experiencing the same thing so I decided maybe we could help each other out by striking up a conversation. The person who I started chatting to was *that lady from Oceanic! It turned out she was feeling exactly the same as me and was glad of someone to talk to. Eventually my colleagues and her friends turned up and our time together was over – cue lots of questions from my contingent about who I had been talking to and what did we say to each other. All I remember is that she was very nice and that I learned that her friends she was at the event with were in the middle of some legal action about the songwriting credits to Gina G’s hit “Ooh Aah… Just a Little Bit”.
“Insanity” peaked at No 3 and was the best selling dance single of the year and the ninth best selling overall outselling nine No 1 records in the process. Let’s hope whoever wrote it got their just royalties.
*I should give the lady her proper name which is Jorinde Williams although to be fair to me they did call their album “That Album By Oceanic”.
Martika is back! Yes, she of “Toy Soldiers” fame back in 1989 had returned and with a credible song. How so? Well “Love… Thy Will Be Done” was written by Prince of course and much was made of that at the time I seem to remember. It didn’t strike me as an obvious collaboration I have to say but then if you think about it, he has worked with / written songs for loads of different people. There’s even a Prince family tree online which lists them all. Under the section People who recorded songs written or co-written by Prince you’ll find Martika along with Madonna, (Chaka, Chaka, Chaka) Chaka Khan, Sheena Easton, Sheila E, Paula Abdul, The Bangles, Celine Dion, Kenny Rogers and of course Sinead O’Connor. If he could write songs for Celine Dion then Martika wasn’t that big of a stretch! As for the song, I quite liked it – a much more mature sound (that’s the word all the music press used anyway). Bizarrely its drums and bass backing do not vary at all throughout the song in terms of bpm yet somehow it just works.
“Love… Thy Will Be Done” was from Martika’s second album “Martika’s Kitchen” which performed well in Europe but poorly in her native US. The title track would be issued as a single and was a return to the more poppier fare that I would have expected from her.
“Love… Thy Will Be Done” peaked at No 9 on the UK Top 40.
Yet another dance tune as we start the Breakers section with “Lift” / “Open Your Mind” by 808 State. Like previous singles “Cubik” / “Olympic” and “In Yer Face”, this was taken from the band’s third album “ex:el” but unlike those tracks which both went Top 10, the spreadsheet formulas for chart success didn’t work for “Lift” / “Open Your Mind” and it stalled at No 38. I didn’t mind this but to my untrained ear were they all starting to sound a bit the same? Maybe it didn’t matter if you were on the dance floor with chemical substances coursing through you which I wasn’t at this time.
What?! Tin Machine?! F*****g Tin Machine are on TOTP?! In my mind, Bowie’s much maligned super group project had disappeared after their first album in 1989 but having checked out their discography on Wikipedia, I do remember the cover of the second album (“Tin Machine II”) from working in Our Price. I don’t recall this track (“You Belong In Rock n’ Roll”) though. Apparently it was released in a blaze of publicity (it clearly had no effect on me) but it struggled to a chart high of just No 33. Even that paltry chart placing for the musical legend that Bowie is/was turned out to be Tin Machine’s biggest hit. The band had to change labels from EMI to Victory Music to even get that second album released as the lack of hit singles on their debut album had freaked EMI out and they got cold feet about the whole project.
Apparently there’s a studio performance in the next TOTP repeat that involves a chocolate eclair but I’ll keep my powder dry on that one until next time….
Following “The Joker” by the Steve Miller Band and “Should I Stay or Should I Go” by The Clash into our charts comes the next vintage track to be reactivated for a Levi’s TV advert. “20th Century Boy” was originally a No 3 hit for T. Rex in 1973 but it was chosen to front the latest Lev’s ad campaign in 1991 and re-issued curiously as being by Marc Bolan and T.Rex.
The advert itself features a very young Brand Pitt and the single’s success in 1991 (it peaked at No 13) , just like The Clash, sparked the release of a T.Rex Best Of album called “The Ultimate Collection ” which, backed by a TV Ad campaign, went to No 4 in the album charts.
It’s a great song and as much as I had a weakness for them, is sooo much better than – “21st Century Boy” by Sigue Sigue Sputnik.
So it’s been a “healthy” chart Brookes advises us before we get to the No 1. Not sure what standards he’s applying to the nations’s pop choices there but it is still suffering from an extreme case of ‘Adamsitis’ as “(EverythingI Do) I Do It For You” by Bryan Adams is still at the summit of the Top 40 for the seventh week running. OK, what can I dredge up about this song that hasn’t already been said so far. My own personal opinion of it? Sure…
Question: Is it a terrible song?
Me: No, but it has a deservedly terrible reputation. No song should be No 1 for 16 weeks.
Question: Ah, so you like it then?
Me: It’s not up there with his best material but I didn’t mind it on first hearing. After the 10th, 20th, 100th time, it lost its appeal certainly.
Question: Did you buy it?
Me: No. I never even considered it. It was so inescapable that even if I’d really liked it, there would have been no point – you heard it all the time anyway.
The play out video is “Mind” by The Farm. It seemed as though this lot’s time in the sun was coming to an end by this point. After the glory of two consecutive Top 10 singles in 1990, impetus had been lost and subsequent singles “Sinful! (Scary Jiggin’ with Doctor Love)” with Pete Wylie and “Don’t Let Me Down” failed to crack the Top 20.
Still, not to worry, they had lots of new tunes up their sleeve and “Mind” was the first of those being the lead single from second album “Love See No Colour”. Unfortunately that also failed the Top 20 test and also the Top 30 one as well when it stalled at No 31. In truth, it’s not a great song, lacking the groove of ..erm…”Groovy Train” and the hook of “All Together Now”‘s rousing chorus. It also had some seriously terrible lyrics:
Remember all the good times that we had
Remember those days they were never sad
All our hopes and all our dreams
All our crazy mixed up schemes
I’d have been embarrassed by those in 5th form.
| Order of appearance | Artist | Title | Did I buy it? |
| 1 | Midge Ure | Cold Cold Heart | Mouldy old fart more like – no |
| 2 | The Prodigy | Charly | No |
| 3 | Zoë | Sunshine On A Rainy Day | Liked it, didn’t buy it |
| 4 | Utah Saints | What Can You Do For Me | See 3 above |
| 5 | Jason Donovan | Happy Together | Hell no |
| 6 | Karyn White | Romantic | Nah |
| 7 | Oceanic | Insanity | No but I didn’t tell Jorinde that |
| 8 | Martika | Love… Thy Will Be Done | Nope |
| 9 | 808 State | Lift / “Open Your Mind | Guess what? No |
| 10 | Tin Machine | You Belong In Rock n’ Roll | This belonged in the bin – no |
| 11 | Marc Bolan and T.Rex | 20th Century Boy | Not the re-release but I have it on a Best Of CD |
| 12 | Bryan Adams | (EverythingI Do) I Do It For You | I think we’ve already established the answer to that question |
| 13 | The Farm | Mind | Negative |
Disclaimer
I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).
All opinions on the music and artists featured are my own. Sorry if you don’t agree.
https://www.bbc.co.uk/iplayer/episode/m000zwqz/top-of-the-pops-22081991
TOTP Rewind - the 90s 