TOTP 1999: the prologue

As Blur once sang, it’s the end of the century – well, nearly. We still have one year left of TOTP repeats to go before the new millennium and rather neatly, this will also be my final year of reviewing them. Nearly 10 years of writing this blog is is my limit and finishing in this year almost dovetails with my leaving working in record shops (again after nigh on 10 years) so it just feels like the time is right. Before I get to that point though, there are all of 1999’s shows to be watched, dissected and pronounced upon. So what can we expect from the final year of the 90s?

Well, away from music, 1999 saw the launch of the Euro currency. 27 years on, the UK is still sticking to its initial decision to remain with pound sterling. Just like in 2016, there were a spate of deaths of people from the world of showbiz. Dusty Springfield, Stanley Kubrick, Rod Hull and Ernie Wise all died within three weeks of each other in March. TV presenter Jill Dando was murdered on her doorstep the following month. On 30 December, George Harrison was stabbed by an intruder in his mansion home in Henley-on-Thames. He survived but within two years would be dead from lung cancer which had spread to his brain. In happier news, there’s a royal wedding as Prince Edward married Sophie Rhys-Jones but does anyone really remember it or care? Tracey Emin’s infamous My Bed sculpture was exhibited in the Tate Gallery. 15 years later it was sold at auction by Christie’s for £2.5 million.

In sport, Manchester United won the treble in May in dramatic fashion beating Bayern Munich in the Champions League final with two goals in injury time. A month later, they announced that they would not compete in the following season’s FA Cup competition in order to concentrate on the FIFA Club World Championship. The profile and stature of the FA Cup has been in decline ever since. As the year draws to an end, fears that the Y2K bug would bring about the end of the world surfaced but it all turnedout alright in the end as no planes fell out of the sky and traffic lights continued to function. Finally, Millennium celebrations were held across the country including the official opening of the Millennium Dome and the unveiling of the London Eye. The New Year’s Eve fireworks display were a bit of a damp squib though.

And so to musical trends. The time of the dominance of girl groups over boy bands seemed to be coming to an end with the latter reasserting their grip on the charts with American acts like Backstreet Boys and NSYNC battling it out with the UK’s Boyzone, Five and most terrifyingly of all, an emerging Westlife. By contrast, neither the Spice Girls nor All Saints even released a single in 1999. However, four of the original Spice Girls line up did have solo hits this year with Geri Halliwell having the most success with two No 1 singles closely followed by Mel C who scored a pair of No 4 hits. The new breed of instrument playing girl groups like Hepburn and Thunderbugs failed to fully gain support of the record buying public though.

Dance music was still about and this year, that ubiquity translated into some of the biggest selling singles of 1999 with the likes of Eiffel 65, ATB, Shanks And Bigfoot and Mr Oizo all securing places in the year end Top 10. Albums wise, it was all very safe yet again with Shania Twain, ABBA and The Corrs all having huge success. Only the likes of Fatboy Slim, Lauryn Hill and The Chemical Brothers seemed to put up much resistance to the tidal way of the mainstream.

As for me, I had a steady-ish year, staying put in the same record store for the whole 12 months (albeit with another change of manager) but as the new millennium approached, I was hatching plans to turn my back on all that and even Manchester which had been my home for nearly the whole decade…

TOTP 20 NOV 1998

Those pesky BBC4 programmers have slipped an extra TOTP repeat into the schedule this week meaning I have three shows to review rather than the usual two. I think it’s to make up for the fact that they only showed one last week due to the snooker coverage and so, in order to get the 1998 shows to sync with 2025 real time, they’ve had to go with three this week. As if that wasn’t enough, this one features nine instead of the standard eight acts. I’ll never get all my Christmas shopping done at this rate!

Anyway, our host is the increasingly annoying Jamie Theakston and we start with a repeat showing of last week’s performance by the now trio of East 17/E-17 and their hit “Each Time”. With a debut chart position of No 2 and a solid second week of sales sustaining it in the Top 5, this single looked like it would foreshadow a new period of success for the group after the recent negative publicity surrounding Brian Harvey’s ‘drug interview’ and the trauma of chief songwriter Tony Mortimer’s departure. It would prove to be a false dawn though as the poor chart showing of parent album “Resurrection” indicated that there wasn’t a big appetite within their fanbase for a slimmed down version of the band with a new R&B direction and a truncated name. Subsequently, the group were dropped by their label Telstar Records in 1999. Bizarrely, the album would be released by Demon Music Group in 2013 but retitled as “Greatest” despite not actually being a collection of their biggest hits and also ignoring the fact that there were already four Best Of albums in existence by this point. Crucially though, none of those albums contained the word ‘greatest’ in their title. What a shady practice.

2025 Update: It was reported in the press this week that songwriter Tony Mortimer earns about £97,000 in royalties each year from “Stay Another Day”. What a Christmas pension pot!

What was it about the mid to late 90s and Bee Gees cover versions? Take That, Boyzone, N-Trance, Adam Garcia and 911 all had hits with their treatments of classic songs by the brothers Gibb and now here were Steps adding their name to that list with their take on “Tragedy”. As with the 911’s cover of “More Than A Woman”, this was taken from a Bee Gees tribute album but was released as a double A-side with a track called “Heartbeat” from the group’s debut album “Step One” (it would also appear as the first single on their follow up “Steptacular”). I’m sure I can’t be the only person who could genuinely claim to have never heard “Heartbeat” possibly because you couldn’t escape from “Tragedy”. This single just sold and sold and sold and then the next day it would do the same all over again. It would spend a whopping 23 weeks on the UK Top 40 and 15 consecutively inside the Top 10 including (after a wait of two months) one at No 1. It sold more than all their previous three singles put together and was surely the piece of concrete evidence that Steps were going to be around for quite some time.

So why did the nation go barmy for the Steps version of “Tragedy”? Well, it was a tightly produced and faithful-to-the-original cover of a dance classic which helped and maybe the younger elements of their fanbase didn’t even know it wasn’t a Steps original but I think what really propelled it to its commercial heights was the dance that went with it. Involving hand gestures that framed the face, shoulder twists and arm raises, it maybe wasn’t as iconic as vogueing as popularised by Madonna but it was up there. It looks pretty impressive in this performance anyway. I reckon we’ll see loads of this one in future repeats so I’ll leave it there for now.

2025 Update: Steps performed at Blackpool recently as the musical interlude for Strictly Come Dancing to promote the opening of the Steps musical.

Despite being released originally in 1989 and again in 1991, come 1998 the story of “Sit Down” by James still had another chapter to be written in the form of a remix and yet another release. The rather unimaginatively titled “Sit Down ‘98” was commissioned by the band’s label Mercury to help re-promote sales of their first “Best Of” album (which had hit the shops in the March) in the run up to Christmas. As far as I can tell though, this version never actually made it onto said Best Of nor was there a rerelease of it with the ‘98 remix added onto the track listing. It was what was known as a standalone single. Wouldn’t it have been better just to rerelease the hit version of “Sit Down” from 1991 if Mercury wanted to associate it with the Best Of album? I’m guessing that wouldn’t have been creative enough for Tim Booth though and so we got an Apollo 440 mix of the classic track which probably made sense at the time given their high profile and whilst their treatment of “Sit Down” is interesting, it does lose some of its charm in the process it seems to me. It would appear not to have stood the test of time either. Do you ever hear it played on the radio instead of the hit version? Nor did it have the desired effect of re-energising the Best Of album’s sales. As far as I can tell, it spent the whole of November and December skirting around between Nos 75 to 60 in the charts. Could you say the whole idea was ridiculous and touched by madness? Only if you’re trying to squeeze in some pathetically obvious “Sit Down” references to finish this bit off like I am.

2025 Update: In an unexpected turn of events there’s another Strictly Come Dancing story – I’ve just seen “Sit Down” performed by James on the results show. It wasn’t the ‘98 remix obviously but just like in 1998, the band have a new Best Of album out to promote called “Nothing But Love: The Definitive Best Of”.

I’ve checked and this is the fifth time “I Don’t Want To Miss A Thing” by Aerosmith has been on the show over a period of just under three months. FIVE times in THREE months! Those two numbers are remarkable! Firstly that a hit that never got higher than No 4 could be on that many times but secondly that it was in the charts for that long! Actually, I should be more precise with that chart figure – it spent nine consecutive weeks inside the Top 10 and 18 (EIGHTEEN!) on the Top 40 in total. This week it was at No 8 but, given that this was the fourth time of seeing that satellite concert performance, were there not any other songs in the Top 40 that could have taken its place in the running order? Hang on, I’ll check…

…well, Marilyn Manson was a new entry at No 12 but maybe he was seen as not a safe enough choice. Further down the chart there are the likes of Tina Cousins, Karen Ramirez and Air but I think I would like to have seen the song at No 39 get a look in – “All I Want” by Puressence. That was never going to happen though.

2025 Update: A collaboration between Aerosmith and Yungblud topped the album charts just a week or so ago thus becoming the band’s first ever UK No 1 album some 38 years after their chart debut. Quite extraordinary.

I was right in what I said in the last post! There is someone from the Fugees on the show every week! After Wyclef Jean last time, we get Pras in this TOTP. In fact, Pras was also on with Wyclef Jean alongside Queen in that appearance seven days prior so the show really was full of Fugees around this time. “Blue Angels” is the track that Pras is promoting and although it features a sample from Frankie Valli’s “Grease”, there’s another film that is mentioned in the lyrics that caught my attention, one that I’d never heard of before but which seems to have been quite the influence on many a hip hop artist. 1984’s Beat Street was set in South Bronx with a plot surrounding the hip-hop lives of a pair of brothers and their group of friends. Now I’ve never heard of nor come across this film before but it had a cultural reach I would never have imagined. In Germany for example, which was still divided into East and West at this point, it had a particularly seismic impact. Released in the former to supposedly highlight the evils of capitalism, it instead promoted the more visual images of hip-hop and ushered in an emerging scene there. The film has been name checked in tracks by the likes of The Notorious B.I.G., Jay Electronica and AZ.

Now clearly, a white 16 year old living in Worcester in the West Midlands at the time of its release (that’ll be me) was never going to be its target audience but the fact that it bypassed me completely is surprising. I mean, I was aware of the breakdancing phenomenon at least if only via the hits of Break Machine. Did it not get UK distribution? Maybe not. Still, it’s opened my eyes a little. This blog was never meant to be educational but I seem to be learning about things I was never aware of as a by product of it.

2025 Update: In November this year, Pras was sentenced to 14 years in prison for his part in an alleged criminal conspiracy re: the illegal transfer of funds into the Barack Obama 2012 presidential campaign.

The first of three new hits now starting with Robbie Williams who made a rather cringeworthy cameo appearance during the James performance earlier trying to convince us all that he was a rock god axeman. After his first No 1 single “Millennium” earlier in the year, presumably hopes were high that he would repeat the trick with follow up “No Regrets”. However, it would debut and peak at No 4 when it was eventually released ten days after this TOTP performance. Why didn’t it go straight to the top of the charts when many press reviews had picked it out as one of the strongest tracks on parent album “I’ve Been Expecting You”? The answer possibly lies with that old issue of timing. Said album had already been out for a month by the time “No Regrets” made it into the shops so perhaps punters who might have shelled out for the single had already bought the album and didn’t feel the need to buy both? Perhaps anticipating that outcome, was that why record label Chrysalis made the single a double A-side with Robbie’s version of “Antmusic” by Adam And The Ants making up the other track? Wait, Williams did a version of “Antmusic”? I don’t recall this! I have to check this out…

…Oh dear God! That’s horrible! Just awful! What was he thinking?! What was Adam Ant thinking letting him butcher it?! Anyway, back to “No Regrets” and I have to say I never really liked it that much. It didn’t have the quirky charm of “Millennium” and always struck me as a bit miserable to be honest. Maybe its source material of his time in Take That meant it was inevitably going to create a less than joyful sound given how it ended and that it was all a bit raw at the time. The overly dramatic ending when Robbie says “Guess the love we once had is officially – dead!” always seems a bit…well…overly dramatic to me, like it was trying too hard. The third single from the album released in March 1999 – “Strong” – was a much more radio friendly, pop track that maybe should have been the song to follow up “Millennium” it always seemed to me. By comparison, “No Regrets” sounded like an album track. Just my opinion of course – I could have it completely wrong but I have no regrets about sharing it.

2025 Update: And now another Yungblud story! This week the singer revealed that he had received a letter of support from Robbie Williams after admitting to mental health struggles.

Blimey! This is a bit of a thing! Madonna on TOTP in person! Seriously, this hardly ever happened. I checked the wonderful Top Of The Pops Archive website which gives a breakdown of appearances by every artist and this is as only the fourth time ever that she was in the studio over a fifteen year period (not including repeats of performances in things like year end specials or anniversary shows). How had executive producer Chris Cowey managed to pull this coup off? For the record, her previous appearances had been performing “Holiday” and “Like A Virgin” (the one with the pink wig) in 1984 and “You’ll See” in 1995 but here she was again to promote the fourth single of her “Ray Of Light” album called “The Power Of Good-Bye”. As with Robbie Williams before her, this was actually a double A-side with the other track being “Little Star”, another song from the album but I only recall “The Power Of Good-Bye” being played on the radio. It’s essentially a ballad though one that sounded nothing like a traditional slow song with acoustic guitars, strings and almost hypnotic electronic beats. This was the William Orbit effect coming into play again as it had done across the whole of the album which he co-produced and which almost redefined how a pop song could sound.

As for the performance here, Madge has sleek, shiny black hair (almost a negative of that pink wig) and a sheer black outfit but, despite the sombre appearance, you can see that, in 1998, she still retained the presence of one of the most famous people on the planet with those in the studio audience stretching out their hands just to get a touch of her as if she was a deity with life healing properties. I can’t shake the feeling that she has been totally usurped by Taylor Swift in the present day. At the end she still had the grace and humility to say thank you and touch some of those aforementioned outstretched hands. They were simpler times for us all back then.

2025 Update: Just a day ago, Madonna was pictured with her ex-husband Guy Ritchie for first time since their divorce in 2008 when they both attended the latest art show of their son Rocco in London.

After a string of medium sized hits to this point, the Stereophonics suddenly exploded with the release of “The Bartender And The Thief” which debuted at No 3. The lead single from sophomore album “Performance And Cocktails”, it’s a high-octane, relentlessly driving rock track that barely draws breath at any point but which has enough melodic hooks to make the trip totally worth it.

Written by Kelly Jones after an observation in a bar in New Zealand whilst waiting for a plane, it expresses the idea that the bartender must see multiple different characters and their changing moods as they transcend from sober to drunk during the course of their shift. Its success would help propel the album to the top of the charts and nearly two million sales in the UK. Four more hits from it would follow including two further Top 5 placings – Stereophonics were officially big news. As with their debut album “Word Gets Around”, I seem to recall playing “Performance And Cocktails” lots in the Our Price store where I was working, so much so that my wife would scratch that itch for me by buying it me for Christmas that year. The Apocalypse Now themed video for “The Bartender And The Thief” reminded me of a long night with school mates watching that film at one of their houses when I was 17. You can read that particular story here if you feel so inclined…

2025 Update: The band are currently on tour playing a number of Arena dates in December.

Cher is No 1 again with “Believe” for a fourth of seven weeks. This run at the top really wasn’t the norm back then. Only Run D.M.C. vs Jason Nevins and “It’s Like That” could rival it in 1998 which had six weeks at the top. At the time of this chart, “Believe” was only the fifth single in two years to have spent more than three consecutive weeks at No 1 which just goes to show the power it was wielding over the record buying public.

2025 Update: Cher has denied rumours she is ready to marry her boyfriend who is 40 years younger than her ahead of her 80th birthday next year. And who is her boyfriend? The aforementioned rapper AZ. Sometimes the planets just align and the blog writes itself!

Order of appearanceArtistTitleDid I buy it?
1East 17Each TimeNegative
2StepsTragedy / HeartbeatI did not
3JamesSit Down ’98No but I had that first Best Of album
4AerosmithI Don’t Want To Miss A ThingNah
5PrasBlue AngelsNope
6Robbie WilliamsNo RegretsNo
7MadonnaThe Power Of Good-ByeNo but my wife had the album
8StereophonicsThe Bartender And The ThiefNo but I had the album
9CherBelieveAnd no

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree

https://www.bbc.co.uk/iplayer/episode/m002nd33/top-of-the-pops-20111998

TOTP 1998 – the prologue

Just as in 1997, there were some seismic events in 1998 none more so than the signing of The Good Friday Agreement that put an end to most of the violence of the Troubles in Northern Ireland that had blighted the country since the 60s. Meanwhile, in technology, the DVD format was released into the UK market for the first time. It was seen as revolutionary which it was compared to the good old *VHS tape that we’d all been making do with for years. Funny to think that even that format is pretty much now redundant.

*Remember having to set the timer for a few minutes before and a few minutes after the programme you wanted to record to make sure you got all of it?!

Whilst peace was on the agenda in Northern Ireland, it seemed that violence and bad behaviour was dominating the headlines in the music world. Chumbawamba’s Danbert Nobacon poured a bucket of ice over Deputy Prime Minister John Prescott at the 1998 BRIT Awards in February whilst in March, in the space of a week, Liam Gallagher was charged with assault for breaking a fan’s nose in Australia before he was banned from Cathay Pacific airline for allegedly abusing passengers on the flight home to the UK. Also in March, Mark Morrison was sentenced to jail for paying a lookalike to do his community service. The following month, The Fall’s Mark E. Smith got into a fight with band mates whilst performing a gig in New York and he was arrested and charged with assaulting band member Julia Nagle the next day. Within 24 hours, George Michael was arrested after being caught in a “lewd act” by an undercover officer in a sting operation. The incident would lead to Michael coming out re: his sexuality within days of the event. Finally, in October, Ian Brown of the Stone Roses was jailed for threatening behaviour towards a stewardess on a British Airways flight. He served two months of a four month sentence in Strangeways prison, Manchester leaving to a graffiti campaign proclaiming ‘Ian Brown is innocent’.

Meanwhile, on a mad day in May, two huge news stories broke. Geri Halliwell announced she was leaving the Spice Girls whilst Paul ‘Gazza’ Gascoigne was left out of the England World Cup squad. 1998 saw a number of bands split up including Menswear, Salad and Sleeper (Britpop really was over!) but those still going strong were All Saints with three No 1 singles and the Spice Girls who would record their third consecutive Christmas No 1. Also boarding the all female success train were sibling trio Cleopatra and Irish lassies B*Witched who matched All Saints tally of three chart toppers. Perhaps the biggest female star of them all also returned this year when Madonna released her “Ray Of Light” album. As for the boys, Robbie Williams went from strength to strength having saved his career with “Angels” whilst Boyzone were still churning out the hits with two No 1s and Five scored themselves a No 1 album.

As for me, I was still working for Our Price in the Stockport branch but things were starting to go south with my mental health and I would end up finishing the year in a different place geographically and mentally. This year might just be the toughest I’ve had to review so far.

TOTP 1997 – the prologue

1997 was quite the year on reflection. Look at this lot:

  • We had a General Election which ushered in a new government after 18 years of Tory rule (that was a good day!).
  • We had a new terrestrial television channel (the first new one since the launch of Channel 4 in November 1982) unimaginatively named Channel 5.
  • The UK transferred sovereignty over Hong Kong, the largest remaining British colony, to the People’s Republic of China as the 99 years lease on the territory had formally ended (I was in China just weeks before the event).
  • The first Harry Potter novel, Harry Potter and the Philosopher’s Stone, was published.

Overshadowing all of this though was the death of Diana, Princess of Wales which caused many of the UK (and indeed the worlds) population to temporarily lose their minds in grief over a person most had never met. That event would have consequences for the world of music with Elton John’s reworking of “Candle In The Wind” which was sung at Diane’s funeral becoming the biggest selling UK single ever and shifting 33 million copies worldwide when it was released. It continues to hold that record to this day.

There was another event that would impact the music industry though not in such a sombre way. This was the year that The Teletubbies first aired and would become a ratings sensation. The success of the show triggered multiple merchandising lines to be made available to cash in on its popularity one of which was the Teletubbies single “Teletubbies Say Eh-Oh!” much would become the fifth biggest selling hit of the year! Did we learn nothing for the Mr Blobby fiasco of 1993?!

Talking of singles, it was another bumper year for the sales of the format – from the 22nd of June right through to the end of the year, every single No 1 record sold at least 100,000 copies a week. As with the previous year, 24 singles topped the chart, double the amount we saw just five years prior in 1992. As for albums, there was stellar anticipation of the release of Oasis’s third album “Be Here Now”. Despite its initial sales and being the best selling album of the year in the UK, it would ultimately sell around a third of the units of “(What’s The Story) Morning Glory?” and its legacy and reputation is of a lumpen creation that killed the legend of Oasis. Yeah, that’s definitely it…maybe. If Noel and Liam were at a crossroads career wise, the Spice Girls were motoring on in top gear with two albums in the year end Top 5. One of the most critically revered albums of the decade (and perhaps of all time) was released this year as “OK Computer” by Radiohead came into our lives. Perhaps the biggest surprise of the year was the renaissance of Texas who would eclipse all their previous success with the album “White On Blonde”. Elsewhere in music, just one day after Labour’s General Election victory was confirmed, the UK won the Eurovision Song Contest for the first time since 1981. Yes, the winning artist was led by an American singer but that was no reason not to celebrate the achievement.

As for me, 1997 would also be a memorable year. My beloved Chelsea would finally win something capturing the FA Cup in the May which was also the month I went to China to see my mate Rob who was living out there. It was quite a time! It wasn’t all excitement though. Work-wise, there was an unsettling period of disruption at the Our Price store where I was employed when our manager Pete left and on a personal level, I started to experience some mental health issues that would see me ultimately leave the Stockport branch forever but that’s all to come in the future…erm…the past. Oh, you know what I mean!

TOTP 1996 – the prologue

1996? Same as 1995 wasn’t it? Britpop was still a thing, The Beatles ‘Anthology’ project gave us another single, Take That at No 1…same old same old. Well yes…and no. By February, Take That weren’t a thing anymore (and wouldn’t be for another ten years) after announcing their break up with a Greatest Hits album and final single “How Deep Is Your Love”. Britpop was still about but a new force in pop music was to emerge during the Summer that would subvert the traditional teenage girl market – yes, the Spice Girls are coming! Gulp! ‘Girl Power’ wasn’t the only term in town though as the Summer also brought us Euro ‘96 and that football single by Lightning Seeds and Baddiel & Skinner – “Three Lions”.

Controversy came courtesy of Jarvis Cocker wafting his arse in the direction of Michael Jackson at the BRIT Awards leading to his arrest and Shaun Ryder whose expletive laden appearance on TFI Friday with Black Grape led to his ban from live broadcasting and the show to have to be recorded rather than going out live on air. Oasis continued their stratospheric rise with a second No 1 single and by playing some historic gigs – two nights at Manchester City’s then ground Maine Road (I was at the second) and two at Knebworth House which saw the biggest ever demand for concert tickets in British history. In complete contrast, former Manchester heroes the Stone Roses had a dreadful year with founding guitarist John Squire leaving the group who then performed a very poorly received gig at the Reading Festival which saw the press (and fans) pour scorn on Ian Brown’s vocals in particular.

The best selling single of the year would come from a hip hop version of an old Roberta Flack song which broke the record at the time for the most radio plays in a single week. Meanwhile, the album that shifted the most units in 1996 was by a most unlikely artist who seemed to have already peaked during the previous year having had two minor hits and spending twenty weeks in the UK Top 40 albums chart but never getting higher than No 12. In an almighty turnaround, by the end of the year, that album would have been No 1 for eleven weeks (seven of them consecutively) and spent forty-one on the spin inside the Top 10. Alanis Morissette, your time has come.

In the wider world, there were two royal divorces, a Doctor Who feature film with Paul McGann in the title role (that split opinion as I recall), a cloned sheep called Dolly and Glenn Hoddle announced he was leaving my beloved Chelsea to become the next England manager. Independence Day was the biggest grossing film of a year which also saw the release of the film adaptation of Irvine Walsh’s Trainspotting whose soundtrack would go three times platinum in the UK. My own personal year saw me stay in the Our Price store in Stockport and enjoy a holiday in Barcelona…until I had the worst case of the runs I’ve ever had. Let’s hope the TOTP repeats of 1996 don’t similarly stink the place out.

TOTP 27 APR 1995

This post is dedicated in its entirety to Pete Garner who passed away recently. Known to many as the original bass player with The Stone Roses, I got to know Pete in the mid 90s when I worked with him at Our Price the record retailer. He was the sweetest, soundest, funniest person you could ever hope to meet. I learned so much about life from him. RIP Pete.

In my review of the previous show, I spent some time discussing the rise of Chris Evans as he was about to start his two year stint on the Radio 1 Breakfast Show. In order to promote their new boy, the BBC have got him in to host TOTP straight off the bat. Evans wasn’t the only debut happening around this time. Three days before this show broadcast, Channel 4 aired the first episode of one of the best sit coms ever in Father Ted. A week later, the channel was at it again but this time with a show from across the pond with the ratings sensation Friends. It’s a sobering realisation that two of the stars from those shows are no longer with us. Father Ted himself Dermot Morgan would pass away less than three years on from here whilst Matthew Perry who played Chandler Bing in Friends sadly died just a week or so ago. Back in 1995 though, I’m guessing that Chris Evans would be full to the brim of brio as he brings his presenting style to TOTP. Let’s see how he did…

He starts off in a fairly uncontroversial manner with a lame set up about the studio lights not working before a short intro for opening act MN8. After just missing out on the top spot with debut single “I’ve Got A Little Something For You”, this lot of R&B wannabes were hot news. They consolidated on that success with follow up “If You Only Let Me In” which was a No 6 hit. Quite different in style from its predecessor, it had a much more pure pop boyband vibe that would become ubiquitous as the decade progressed and the throng of such acts became ever larger. I mean, it’s actually one of the better examples of that sound; well constructed with plenty of hooks though it also seems to have been written with one eye on accommodating the obligatory dance moves for the three guys in the band playing second fiddle to the singer. Still, it was probably a sensible choice at that point in their career; a catchy tune to maintain their chart presence and guarantee airplay. For the moment, MN8 were playing the game well.

Whilst MN8 were in the ascendancy, another boyband were desperately trying to stay afloat in some choppy teenage audience waters. Let Loose were trying to do exactly the opposite of what their band name suggested; they didn’t want to be let loose in a sea of faded boybands but rather wanted to be tied steadfastly to the chart dock. This single – “Best Of Me” – did indeed act as a decent life belt giving them a Top 10 hit though I can’t work out why as it’s as dull as dishwasher. The verses sound like a Bread song (they would record an actual Bread song in “Make It With You” the following year) whilst the chorus goes a bit “See The Day” by Dee C. Lee complete with added string section. And why on earth is there a double necked guitar on show here? Let Loose? More like obtuse.

If MN8 were playing the R&B pop stars game well, then here’s Bobby Brown to show them that “Two Can Play That Game”. In the segue into this one, Chris Evans starts reverting to type and his ‘lads mags’ persona by banging on about a naked Pamela Anderson and Liz Hurley bouncing up and down on a space hopper. What? Bobby Brown, of course, had a few image problems of his own with a list of charges against him including drink driving, defaulting on child care payments and battery of his wife Whitney Houston. If his personal life was chaotic and full of misdemeanours, in 1995 his career was at a high point. “Two Can Play That Game” gave him his biggest ever UK hit when it peaked at No 3.

Evans completely lays bare his ‘lad culture’ credentials once more by referring to an upcoming performance by Oasis as being his “personal heroes”. Before that though we have yet another appearance for our Eurovision entry Love City Groove. I make this their third time on the show with the song contest still two weeks away. What with plugging the BBC’s coverage of Eurovision and the showcasing of Radio 1’s Breakfast Show host, TOTP was in danger of becoming just a promotional tool for the corporation’s output rather than a platform for the most popular music of the day.

As for “Love City Groove”, it still stands up and out I think in the long history of UK Eurovision acts. It didn’t completely convince the watching panels on the night of the contest finishing 10th out of 23 countries receiving 76 points, almost half the amount the winners Secret Garden from Norway did with their song “Nocturne”. That victory seemed to give credence to the idea that Eurovision was ready for a different musical genre to take centre stage over the more traditional acts witnessed down the years. Sadly for the UK, that genre was haunting, violin led and almost instrumental rather than sing -a-long rap. Bugger!

It’s time for “the best song around” now as endorsed by Chris Evans in his intro for Oasis. On reflection, it wasn’t even the best song on the CD single – that honour goes to “Acquiesce” in my opinion. However, “Some Might Say” was certainly better than most residents of the Top 40 and, as expected, gave the band their first of eight No 1 singles. At the time, I was in agreement with Evans and loved this though I’m not sure it stands up as well through the perspective of 28 years distance. Back then though, I didn’t care that, just as “Cigarettes And Alcohol” had done, it had more than a whiff of a T-Rex riff about it. Nor did I care that the lyrics weren’t the best (rhyming ‘fishes’ with ‘dirty dishes’ indeed!). I didn’t even mind Liam’s pronunciation of ‘Shine’ as “Sh-i-iiine”. To me it sounded…well…powerful I guess. Powerful and hopeful that something different might be about to happen.

This was pretty much the last public appearance of drummer Tony McCarroll with the band. The next time they appeared on TOTP, his replacement Alan White was on the drummer’s stool. McCarroll being buried alive by the rest of the band in the “Live Forever” video probably should have given us all a big clue as to his impending fate.

Creation boss Alan McGee had wanted to release the track as a double A-side with the aforementioned “Acquiesce” but Noel Gallagher stood firm saying the latter was the B-side. Legend has it that the conversation went something like this:

McGee: “Acquiesce” is too good. Knock something average out for the B-side.

Noel: Sorry Alan but I don’t write shit songs.

As for the performance here, Liam seems to have perfected his motionless, thousand yard stare act by this point while the rest of the band (Noel excepted) look like they can’t quite comprehend how they got here from where they started. By the way, Liam’s Manchester City coat would not have been seen as bandwagon jumping. At the time City were not the winning machine they are today; that would have been their rivals United.

The third boyband on tonight now and the second trying to follow up a No 2 hit single. Like MN8 before them, Boyzone had gone as close as possible to a chart topper without actually getting one with previous single “Love Me For A Reason” but, despite that success, a lot must have been riding on their next release in terms of their potential longevity. A bunch of pretty Irish boys getting a Christmas hit with a cover of a well known sloppy ballad was one thing but repeating the trick with a composition of their own? Well, that was another matter.

As it turned out, “Key To My Life” was also the key to the band’s consolidation. A very encouraging chart peak of No 3 would surely have given the group confidence that they could compete with Take That (especially when, a few weeks later, the departure of Robbie Williams would cause the future of the band to be put in doubt). A saccharine drenched ballad, it seems to me that “Key To My Life” is a largely forgotten Boyzone single despite its strategic importance to their career.

Watching this performance back, I’m struck by how washed out the group look with all those grey colours and pastel shades on display in their outfits. Their stylist should have been given the keys to a better wardrobe.

It’s another studio appearance by Tina Arena performing her hit “Chains” now. Her song was universally seen as being about being trapped in a relationship that was no longer working though Tina herself attributes its meaning to her trying to escape from her past as a child star when she was dubbed ‘Tiny Tina” aged 8 on a talent show. Fast forward over 40 years and a modern day restriction that Tina struggled with was the whole issue of ‘selfies’. In 2019 she made the decision not to allow people to take ‘selfies’ as she felt trapped by them and instead would rather have a good old chat with the person. That revelation somehow put me in mind of that famous Boy George quote who, when at the height of his fame, was asked about the act of sex. “I’d rather have a nice cup of tea” he replied though I’m pretty sure he had his fingers crossed when he said it.

It’s that band again whose name I remember but whose music I don’t. Chris Evans does his best to create some buzz around them by bigging them up in his intro but even the man of the moment’s endorsement didn’t cut through with me. I refer to The Wildhearts who we last saw on the show doing their minor hit “Geordie In Wonderland”. They’re back with the lead single from their second album “P.H.U.Q” called “I Wanna Go Where The People Go”.

Listening to it now, it’s not bad though even if I’d cottoned on to it back in 1995, I’m not sure I’d have been bowled over by its sound. I’m sure they had and still have a hardcore fanbase but for me, they blur into one a bit with all those other early 90s UK blues rock revival bands like The Dogs D’Amour and The Quireboys though that’s not surprising as main Wildheart Ginger used to be a member of the latter.

It’s the fourth and final week at No 1 for Take That with “Back For Good”. It’s often said (including by me) that the mark of a good song is how often it’s covered by other artists and especially if it’s done in a completely different style and it still works. Well, here are just a few varied takes on “Back For Good”. Firstly, a slinky, muscular version courtesy of McAlmont & Butler from 2002 for the War Child charity album in association with the NME:

Here it’s turned into an indie classic by The Wedding Present on their “How The West Was Won” album:

How about a lo-fi anthem from Swedish band The Concretes on covers compilation album “Guilt By Association”:

And finally a punk rendering courtesy of Robbie Williams himself; a live version included as an extra track on his “Angels” single:

The “wash it off” ad lib line has its origins in an adopted reaction from Take That fans when the song was performed live. When Gary Barlow would sing “Got your lipstick mark still in my cup”, the crowd would apparently sing back to him “Ooh wash it off!”. So now you know.

Punk covers of your own songs were all the rage back then. Here’s Duran Duran on The Word from 1995 doing “Hungry Like The Wolf”:

The play out track is back after disappearing for a while and tonight’s is a goodie from Weezer. This power pop, pop-punk, geek rock (call it what you will) anthem named after rock ‘n’ roll legend “Buddy Holly” would make it all the way to No 12. If the song wasn’t memorable enough, you can’t forget the video once seen, especially if , like me, you grew up in the 70s. Back then, the US sitcom Happy Days was huge with its main character Fonzie assuming almost legendary status with his cool persona and catch phrases “Ayyyy” and “Sit On It”. I remember they’re being some TV awards show on when Happy Days was at its peak and it somehow losing out to Blue Peter in one category. Even the wide eyed innocent child that I was thought that was a fix.

Anyway, the idea to incorporate footage from Happy Days with Weezer performing “Buddy Holly” in Arnold’s Drive-In was inspired. Director Spike Jonze did an incredible job. The actor who played drive-in owner Al did a cameo to introduce the band and a lookalike did the Fonzie dance scene but apparently the rest was all done without computer graphics and instead used clever editing. It looked amazing in 1995 and still looks great today I think.

Order of appearanceArtistTitleDid I buy it?
1MN8If You Let Me InNo
2Let LooseBest Of MeDefinitely not
3Bobby BrownTwo Can Play That GameNope
4Love City GrooveLove City GrooveI did not
5OasisSome Might SayYES!
6BoyzoneKey To My LifeNever happening
7Tina ArenaChainsNegative
8The WildheartsI Wanna Go Where The People GoNah
9Take ThatBack For GoodNo but my wife did
10WeezerBuddy HollyLiked it, didn’t buy it

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree

https://www.bbc.co.uk/iplayer/episode/m001rrzv/top-of-the-pops-27041995

TOTP 1995 – the prologue

So, to 1995 then and if I’m just relying on my memory then presumably this is going to be one long procession of Britpop acts. Now that prospect may fill you with joy or dread depending on your musical persuasion but statistically that can’t be the case so what else was happening? Well, it’s a bit like 1977 when punk was meant to be at its peak but in fact the biggest selling records of the year were all by decidedly mainstream artists like Wings, David Soul and Leo Sayer. Fast forward to 1995 and for those three artists read the likes of Celine Dion, Michael Jackson and pissing Robson & Jerome! For all the talk of Britpop, only one artist from that movement had a single in the Top 10 sellers of the year – Oasis with “Wonderwall”. Those two singles at the heart of The Battle of Britpop? They trail in 12th and 20th. So was it all just a media concoction? You can’t deny the sales that Oasis generated – “(What’s The Story) Morning Glory?” went 16 x platinum in the UK, sold 22 million copies worldwide and as of October 2018 was the 5th best selling album of all time in this country. And yet…it wasn’t the best selling album of 1995 being beaten to that accolade by…yep, those guys again…Robson & Jerome. The other big sellers of the year album wise are more rock and pop royalty in the form of Queen, Michael Jackson and Simply Red though sneaking in at No 10 were Pulp who became massive in 1995, the 18th year of their existence.

However, there were some seismic events in the world of music in this year. Manic Street Preachers guitarist Richey Edwards disappeared in February never to return and has been legally dead since 2008 though many a sighting has been reported in the intervening years. There was a drummer exodus of Manchester bands with Reni quitting The Stone Roses in March and Tony McCarroll being sacked from Oasis in the April. Not to be outdone, Robbie Williams left Take That in July causing such a meltdown in the country’s population of teenage girls that a helpline was set up to help them deal with what had happened (supposedly). The Summer also witnessed that chart battle with the story infamously being reported on the BBC’s main evening news programme. For all the band members who left or disappeared in 1995, the year ended with a massive return as The Beatles released a ‘new’ single for the first time since they split in 1970. “Free As A Bird” was a 1977 John Lennon demo reworked by the three remaining Beatles as part of the Anthology project.

As for TOTP and Radio 1, the BBC continued to wield its axe. In January it was announced by controller Matthew Bannister that ‘old’ music (i.e. anything pre-1990) would no longer be played on its flagship pop music radio station. This was followed in February by the announcement that Bruno Brookes’ contract would not be renewed when it expired in the April meaning he would leave Radio 1 after 11 years. Another line up change saw Chris Evans replace Steve Wright as the Breakfast Show host. Meanwhile, over at TOTP, Head Producer Ric Blaxill continued to ring the changes with a new set, theme tune, logo and title sequence introduced in February.

In the wider world, 1995 saw Eric ‘Kung Fu’ Cantona assault a spectator after being sent off for Manchester United against Crystal Palace in January (though it did nothing to affect his popularity as it turned out the fan was a right scrote). Cliff Richard became Sir Cliff Richard and Princess Diana did that interview with Martin Bashir when she famously said that there were three people in her marriage. The entertainment world lost a whole host of people this year with the deaths of Larry Grayson, Peter Cook, Kenny Everett, Marti Caine, Paul Eddington and Arthur Mullard.

As for me, I remained working in record shops for Our Price, starting the year in Manchester but moving back to Stockport in the February after the Market Street store finally shut down after years of being under threat of closure. In many ways, 1995 was the busiest time to be working in a record shop with the Oasis sales phenomenon and the national spotlight that The Battle of Britpop bought – I recall being paranoid about potentially running out of either the Oasis or Blur single that week. It was possibly the most enjoyable though for the same reason. This might prove to be one of the best years for revisiting in quite some time.

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree

TOTP 1993 – the prologue

Aah, 1993…or should that be ‘aargh’ 1993? I don’t know why but numbers ending in a ‘3’ always jar in my mind. Whether it’s because it’s an odd number or a prime number I’m not sure but I’ve never trusted them. The same can apply to years ending in ‘3’. 1983, for example, was the year my beloved Chelsea finished in their lowest ever league position and nearly got relegated to the old third division. And 1993? Well, Chelsea had another terrible season flirting with relegation before finally securing a mid table finish. On a national level, the England team had a year to forget managing to lose to the USA (a result that was seen as a disgrace in the press) before following it up by failing to qualify for the 1994 World Cup. Manager Graham Taylor resigned as a consequence. Sticking with sport, disaster befell the Grand National and caused heartache for bookmakers as it was cancelled after a false start!

In the world of entertainment, Carry On film stalwarts Bernard Bresslaw and Kenneth Connor shuffled off this mortal coil as did comedian Les Dawson. Vic Reeves and Bob Mortimer had a busy year with two new BBC shows starting in The Smell Of Reeves And Mortimer and Shooting Stars. ITV had a ratings winner on their hands with crime drama Cracker starring Robbie Coltrane whilst Channel 4 hosted the debut of late night cult TV show Eurotrash. Shopping channel QVC appeared on our screens for the first time. In the literary world Irvine Welsh’s iconic novel Trainspotting was published whilst A Clockwork Orange author Anthony Burgess passed away.

But this is a music blog isn’t it so what was happening on the pop landscape? In my head, the charts of 1993 were populated by some tunes that stank them out but could I be mistaken? A quick glance at the Top 10 best selling singles of the year is as grim and lacking in sense as a Nadine Dorries interview. It’s mostly nasty Eurodance anthems punctuated by a couple of cover versions and a song by a blubbery, intensely irritating figure whose name began with ‘M’. No, not Meatloaf; I’m referring to Mr Blobby of course…or am I? Elsewhere, before the Blur vs Oasis chart battle of 1995 came East 17 and Take That duking it out for the title of top teen sensation whilst reggae fusion / dancehall briefly dominated the charts courtesy of the unholy ‘S’ trinity of Snow, Shaggy and Shabba Ranks. Oh God, I’m having flashbacks!

Work wise for me, 1993 was a year of much change. By the end of it, I would have worked in four different Our Price stores. Some of it I really enjoyed, some of it I really, really didn’t. So, I don’t think I’ve made myself feel any better about the prospects for 1993 in that little preamble. I’m going to go down that road in spite of myself though. Are you gonna go my way?

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree.

https://www.bbc.co.uk/iplayer/episode/m00165cm/top-of-the-pops-the-story-of-1993

TOTP 1992 – the prologue

What did 1992 ever do for us eh? Oh God it seems so long ago that I’m not sure what happened to be honest. OK, think. Well, it was the Queen’s ‘annus horribilis’ with the Royal Family beset by a series of bad news stories including one divorce, two separations, a fire, the publication of a tell all book about Princess Diana oh and pictures of Sarah, Duchess of York (Fergie to us) in the tabloids sunbathing with her tits out.

What else? The world of politics was just as awful as it is now with a depressing fourth consecutive General Election win for the Conservative party. There were loads of riots all over the place, ‘Black Wednesday’ and probably worst of all, the scandal that was David Mellor and his affair with actress Antonia de Sancha which led to revelations that he liked to have sex with her dressed in a Chelsea FC football kit. That was an especially hard one (no sniggering at the back) for Chelsea fans like me to take.

Talking of Chelsea, I genuinely thought we might be on the cusp of finally winning something this year as we got to the quarter finals of the FA Cup for the first time in a decade only to be dumped out by lower league Sunderland after a replay. Curses! 1992 also saw the inaugural season of the Premier League though the advert below featuring images of Vinnie Jones, Andy Ritchie and a moustachioed John Wark in the shower didn’t seem a premier league idea to advertise its coming.

In entertainment news, comedy legends Frankie Howerd and Benny Hill died within a day of each other but we also saw the first episodes of two comedies that would become part of the UK’s TV scheduling for years to come in Absolutely Fabulous and Men Behaving Badly. Meanwhile, god awful BBC soap Eldorado began its mercifully short run contrasting with Later… with Jools Holland which started its 30 years (and still going) place at the heart of music television. We can also all wake up to Channel 4’s The Big Breakfast for the first time this year introducing us to the horror that is Chris Evans.

As for music, 1992 seemed to be year where not much happened at all. Simply Red had not only the biggest selling album of 1991 in “Stars” but it also shifted the most units in 1992 as well. Looking at the 25 or so different albums that topped the chart this year, I would say only three of them were by an artist that didn’t fit into the category of established or mainstream or whatever you want to define the prevailing musical norm as. If I discount REM (which is probably unfair but still), those three would be The Orb, Carter the Unstoppable Sex Machine and perennial non conformists The Cure. The majority of No 1 acts were almost rock royalty – Genesis, Abba, Cher, Neil Diamond, Lionel Richie and those that weren’t like The Smiths tended to be at the mercy of records companies hawking Greatest Hits collections (10 of this year’s chart topping long players fell into this category).

In the singles charts, a cover of a Dolly Parton song was the year’s best seller whilst other No 1s of the year included some not particularly fondly remembered dance tunes from K.W.S., Snap! and the Shamen. Erasure finally bagged themselves a No 1 single but then so did the odious Charles And Eddie which kind of devalued the achievement.

As for me, I trundled along fairly happily for the first half of the year until an offer of promotion turned up. I’d never pursued the idea of advancement at work and so when it was stuck in front of me, I asked for some time to think about it. Apparently this was not the standard reply when working for Our Price back then – any chance of stepping up a rung on the management ladder was snatched at. In the end, I decided to do it and spent a great year hanging out in Rochdale before the managerial merry go round forced me into a series of moves most of which I didn’t really enjoy that much.

1992 then. I’m not holding out too many hopes that this will be a review full of joyous surprises to contradict my admittedly pessimistic preview but to quote three of the biggest selling singles of that year, “Stay…”Please Don’t Go” and stay with me until the “End Of The Road”.

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree.

TOTP 1990 – the prologue

It’s 1990 at last – the beginning of a new decade and unlike the beginning of the current new decade (which less face it couldn’t have gone much worse), the world isn’t looking in too bad a shape. The divisive Berlin Wall has tumbled, the Cold War was coming to an end and in a few short weeks Nelson Mandela would be released from incarceration after 27 years. It’s not all good news though as on New Year’s Day the character of Mr Bean makes his TV debut.

Musically, the charts were still being infiltrated by various strands of European house music from acts such as Technotronic (Belgium), Snap (Germany) and Twenty 4 Seven (Holland). These new kids on the block were joined by erm…New Kids On The Block who racked up seven Top 10 singles including a No 1 plus a No 1 album. Sheesh! There was also room for some golden oldies with Phil Collins having the best selling album of the year closely followed by Madonna and Elton John who both had greatest hits albums out. The list of No 1 singles for the year mercifully had some half decent stuff in it for once (The Beautiful South, Sinéad O’Connor, Beats International) plus of course the best football song ever (ever!) from New Order. Sadly it also included some enormous turds from Bombalurina. Partners In Kryme and Vanilla Ice and that’s not even mentioning the Xmas turkey that was the festive chart topper from Cliff Richard. A mixed bag indeed then.

And me? Alas- oh shit I sound like Boris Johnson – erm…sadly, I was unemployed (again) as 1990 broke having finished my temporary stint as sales assistant / stand in Santa in Debenhams over Xmas. I was back in my parents house with no money, no job and separated geographically from my girlfriend once more. It wasn’t a great start to the year nor decade to be fair. My period of unemployment would last five months until I was reunited not only with the world of work but also my girlfriend as I secured a temporary position at Kingston Communications back in Hull. By the time that had finished as the Summer turned to Autumn, we had decided to get married and relocate to Manchester where neither of us had ever lived before nor had a permanent job. A bold move I guess but we were young and fearless and all those other things that middle aged has robbed me of so…. off we went to Manc land where I had got myself a temporary job over Xmas at Our Price Music. They would be my employer for the rest of the decade….

Disclaimer

OK – here’s the thing – the TOTP episodes are only available on iPlayer for a limited amount of time so the link to the programme below only works for about another month so you’ll have to work fast if you want to see what the BBC made of 1990.

https://www.bbc.co.uk/iplayer/episode/m000n18n/top-of-the-pops-the-story-of-1990

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC.