TOTP 02 MAY 1991

We’ve made it to May 1991 here at TOTP Rewind which can only mean two things; the culmination of the football season and the Eurovision Song Contest. Football-wise, the England team was indebted to little Dennis Wise who scored one of the most undignified, scrappy goals ever witnessed at international level with this goal vs Turkey in a European Championships qualifier the day before this TOTP aired…

As I recall, the general consensus was that it went in off his backside. Still, they all count. As for Eurovision, the 1991 contest took place in Rome on the Saturday and…well more about what happened there later.

Tonight’s show is hosted by the interminably smug Simon Mayo and he promises us “The most incredible opening to TOTP ever, ever seen, I mean it…”. Wow! That’s some promise! Who could he have been referring to? Well, if it’s 1991 then it could only be The KLF and indeed it is as they had crashed into the charts at No 3 with their latest single “Last Train To Trancentral”. So, did the performance live up to Mayo’s hype? Not for me sadly. Yes, there was a crowd of people up there on stage so it had more numbers than most acts and yes they were wearing white robes with Jimmy Cauty and Bill Drummond also sporting a bull horn protruding from their hoods which was presumably all meant to signify something ‘other’ and ‘cultish’. Maybe a better word would be ‘unpalatable’ as the imagery reminds me of The Klu Klux Klan and some sort of satanic ritual. They don’t do much though do they apart from jog around in a circle at the end and shout ‘Woo Woo!’ or is it ‘Mu Mu!’? Apparently the lady in the Native American headdress is Cressida Cauty (Jimmy’s then wife) who now goes by the name of Cressida Bowyer and is currently at the University of Brighton’s School of Pharmacy and Biomolecular Sciences where she been doing ground-breaking research into liver cancer. Seems a hell of a lot more productive than playing silly buggers and shouting “Woo Woo!’ on TV to me.

Mayo was wrong about another thing as well. His confident proclamation that “Last Train To Trancentral” would be a No 1 proved to be false as it stalled at No 2. Ha! Take that dullard!

Whilst 1991 was undoubtedly the year of The KLF, it was also an annus mirabilis for Cathy Dennis. We’d last seen Cathy back in 1989 when she was the featured vocalist on D-Mob’s “C’mon And Get My Love” single but here she was, striding out on her own with “Touch Me (All Night Long)“. Now I had no idea until now that this wasn’t a Cathy Dennis original (which was a surprise given her career as a prolific songwriter post being a pop star) but was in fact by somebody called Fonda Rae who had a minor hit with it it 1984 (it also had a Slade style spelling as it was entitled “Tuch Me (All Night Long)”). Wanna hear it? Ok then…

I say it’s not a Cathy Dennis original but she did rewrite the verses retaining just the chorus hook. The track proved to be a winner both with pop fans and dance heads as it went to No 5 in the UK Top 40 and No 1 in the US dance chart. Is that what Mayo meant when he did another of his predictions as he says in his introduction that “Touch Me (All Night Long)” was about to be No 1 in the US? If he meant the Billboard Hot 100 chart then he was wrong again as it peaked at No 2.

Anyway, back to Cathy and the single lit the touch paper for her career as she racked up a further three Top 40 hits this calendar year, all coming from her debut solo album “Move To This” which itself was a UK No 3, gold seller. For a while she looked like she had everything – the songs, the appeal, the looks and the moves. She certainly looked a better bet for longevity than some of her peers like Dannii Minogue. Unfortunately the two years between this and her next album saw grunge happen and she lost a lot of ground and her place in the scheme of things from which she never really recovered. Her final album as a recording artist, 1997’s “Am I The Kinda Girl?”, rode the Britpop zeitgeist and was critically well received but floundered commercially peaking at No 78.

OMD are next or that should really be OMD Pt II as this is the version of the band without founding member Paul Humphreys. I like the fact that remaining original Andy McCluskey didn’t see any need to change his renowned and wonderfully awful dancing style despite the band’s new era. He explained the back story of his dancing in an interview in The Scotsman, saying that it stemmed “from the perception that we were making boring robotic intellectual music that you couldn’t dance to. I was trying to say, ‘No, no, you can dance to it, look, I’m dancing to it…”. Hmm. It was famously dubbed the ‘Trainee Teacher Dance’ by DJ, presenter and writer Stuart Maconie. At least Andy went for a leather jacket look and not a comfy cardigan with patches on the elbows.

“Sailing On The Seven Seas” peaked at No 3 whilst parent album “Sugar Tax” went platinum. Fast forward 30 years and that quip by Mayo that the album’s title was “as good a name for a tax as any” looks pretty silly doesn’t it given that just last week we heard of government plans to raise a sugar and salt tax to help to break Britain’s addiction to junk food.

OK, we arrive at the Eurovision part of the show. The UK entry for 1991 was Samantha Janus with a little ditty called “A Message To Your Heart”. The contest took place in Rome on 4th May and by this point in our history, the UK had only finished outside of the Top 10 once since 1978. Indeed, we’d finished 2nd twice on the spin at the end of the 80s and had been a respectable 6th the previous year. Twelve months on and our competing song was once again written by Paul Curtis who had penned the previous year’s entry, “Give A Little Love Back To The World” by Emma. Whereas that song had an environmental theme, “A Message To Your Heart” was all about those in the world suffering from poverty and starvation with the lyrics offering up a contrast of the have and have nots with lines referring to those who “are hungry just from being born” and those of whom “their only hunger being greed”. That was all very laudable but the sound of the song was completely at odds with its lyrics in that it was defiantly up tempo. In this TOTP performance, Janus ploughs on through it like a soft rock anthem with plenty of air grabs, fist clenches and tossing of her hair. She also does a lot of grinning, smiling and there’s that little prayer hand gesture which reminds me of Aneka of “Japanese Boy” fame. It’s not really her fault I guess – it just doesn’t make any sense in the context of the song.

Come the day of the contest itself, Janus was given the 20th singing slot out of 22 performers. I’m not sure that helped her and neither did her pink mini-dress outfit when singing about poverty and starvation…that and her dreadful out of tune singing obviously. Samantha finished 10th overall which was seen as quite the disaster back then but which would be seen as a right result these days. Janus was devastated though and thought it would spell the end of her. Fortunately for her, she recovered and went onto have a very successful acting career both on stage and on TV with her most memorable role being that of Ronnie Mitchell in Eastenders I would imagine though my personal favourite of her shows was Game On.

As for the UK ‘s relationship with Eurovision, we recovered some ground during the rest of the 90s with three 2nd place finishes building to our last win with Katrina and the Waves in 1997. Since the turn of the century though, it’s all pretty much turned to shit.

“A Message To Your Heart” peaked at No 30 in the UK charts.

I never knew Nomad had a second hit! Well, if I did I’d forgotten all about it but here is the follow up to “(I Wanna Give You) Devotion” called “Just A Groove”. Right, let’s have a listen to it then…

…my God that was awful! There’s no tune in there at all. It’s just a backing track with some bullshit lyrics about Nomad having the music. Vocalist Sharon D. Clarke went on to have a Laurence Olivier Award winning acting career and has appeared in many West End productions and also had a wide TV career appearing in shows such as Soldier Soldier, Eastenders and most recently in the eleventh series of Doctor Who. Now I don’t know if it’s that bit of info which is causing me to hear this but it when she’s singing ‘Nomad’s got the groove’ it sounds a bit like ‘Nomad’s Dr Who’.

If that wasn’t weird enough, check this lot of trivia out. Having already discussed in length the 1991 Eurovision Song Contest earlier in the blog, it turns out that, in 2000, Sharon took part in the Eurovision qualifier A Song for Europe as part of Six Chix who came second to Nikki French. Now if you know your 90s chart history, that name will ring a bell as Nikki scored a No 5 hit in 1995 with a dance version of Bonnie Tyler’s “Total Eclipse of the Heart”. However, 9 years prior to that in 1986, she recored a song called “Dirty Den” released under the name Whiskey and Sofa. Dirty Den? Eastenders? The soap that Sharon appeared in? Weird no? Oh suit yourselves!

Meanwhile band member Steve McCutcheon, known professionally as Steve Mac, would go on to a hugely successful record producer and songwriter career having had a hand in 30 No 1 singles in the UK chart including four for Irish boyband Westlife. However, he was still clearly honing his skill backing 1991 as “Just a Groove” peaked at a lowly No 16 and was Nomad’s last ever UK chart hit.

Simon Mayo’s smugness gets an outing again next as he informs us all that “Senza Una Donna (Without A Woman)” by Paul Young and Zucchero was an old Record of the Week on his Radio 1 Breakfast Show and that it is now shooting up the charts. Yeah, whatever Simon. Presumably this wasn’t anything to do with your own musical choice but was the result of a deal brokered between the record company and the Radio 1 playlist team made up of producers, music editors etc.

Back to Zucchero and Paul though and last week, the hashtag Keith Lemon was trending on account of the Italian singer’s resemblance to Leigh Francis’ comedy character. However, somebody this week posited the theory that he looked more like Coronation Street‘s Jim MacDonald. Let’s have look then…

Nah, definitely Keith Lemon for me.

“Senza Una Donna (Without A Woman)” was taken from Paul’s very first Best Of collection called “From Time To Time – The Singles Collection” which was a huge seller in the UK. Since then, his record label Columbia have released a further eleven Paul Young Best Ofs under various different titles. That’s more than double the amount of studio albums he recorded for them! Talk about getting the most out of your money!

“Senza Una Donna (Without A Woman)” peaked at No 4.

After being a Breaker last week, Frances Nero has leapt up the charts nine places which warrants a studio performance of “Footsteps Following Me”. The title of the song sounds pretty sinister when you think about it. Having examined the lyrics, it seems to be about the need for trust between lovers with phrases like ‘I am allergic to jealousy’ and ‘love without freedom will die’. There’s also a line which is utterly banal and lazy and that line is ‘free as a bird high in the sky’. Oh come on! Primary school kids could write better than that!

“Footsteps Following Me” peaked at No 17 whilst Frances Nero sadly passed away in 2014.

Chesney is gone – toppled by the might of Cher and an old 60s song that was included on the soundtrack to her latest film Mermaids. It’s not quite how I imagined him going out really. Surely someone more ‘happening’ (as the TOTP hosts were likely to say) in 1991 like The KLF or Seal would have been expected to dethrone *Chezza? Cher though? I for one didn’t see it coming.

Within a few short weeks of “The Shoop Shoop Song (It’s In His Kiss)” being at No 1, Cher released an album called “Love Hurts”. Nothing very exceptional about this of course but there are couple of little anecdotes about the album’s release that I recall. Firstly, “The Shoop Shoop Song (It’s In His Kiss)” wasn’t on it. Except that it was. What am I banging on about? Well, it wasn’t included on the US release of the album as the single had not been anywhere near as popular over there where it peaked at No 33. Across Europe however, it was huge and was a No 1 in Austria, Denmark, Ireland, Norway and the UK of course. Consequently, the European version of the album did include it as a bonus track. Presumably that decision helped to send the album to No 1 in the UK where it was a three times platinum seller.

Secondly, there was the issue of its cover. When it was originally released it had some weird mirror reflection artwork going on with a banner across it proclaiming the album’s title. This was the version released in North America and also the initial worldwide copies. Once we started re-ordering it at the Our Price I worked in, the albums that arrived had an entirely different image of a red haired (and very air brushed) Cher against a plain white background. What was that all about?

*Does the nickname Chezza work for both Chesney and Cher? Just wondering.

The play out video is “Get Ready!” by Roachford. Despite having released a dozen or so albums and more than 30 singles over the course of his career, Andrew Roachford says that somebody mentions his biggest hit “Cuddly Toy” to him at least once every day which reminded me of this…

“Get Ready!” peaked at No 22.

For the sake of posterity, I include the chart run down below:

Order of Appearance ArtistTitleDid I buy it?
1The KLFLast Train To TrancentralNo
2Cathy Dennis Touch Me (All Night Long)Negative
3OMDSailing On The Seven SeasNot the single but I’m sure it’s on a Best Of CD of their that I have
4Samantha JanusA Message To Your HeartOf course not
5NomadJust A GrooveNah
6Paul Young / ZuccheroSenza Una Donna (Without A Woman)No but I bought that Best Of album with it on
7Frances NeroFootsteps Following MeNope
8Cher The Shoop Shoop Song (It’s In His Kiss)Yes but it was all a big mistake honest!
9RoachfordGet Ready!Yes albeit from the Bargain Bin

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree.

https://www.bbc.co.uk/iplayer/episode/m000xw3v/top-of-the-pops-02051991

TOTP 25 APR 1991

The record company release schedules were very busy back in April 1991 as there are 10 songs new to the charts on this particular TOTP. Also having a busy old time of it was one David Icke who had resigned from the Green Party and then held a press conference to announce to the world that he was a son of the Godhead and that the world was going to end in 1997 after a period of tidal waves and earthquakes. Four days after this TOTP aired, he appeared on Wogan and gave an interview that was catastrophic to his career and credibility.

The following month, a crowd of youths gathered outside Icke’s home and went all Life Of Brian by chanting “We want the Messiah” and “Give us a sign, David”. Oh dear.

He resurfaced when the pandemic struck suggesting that there was a link between the COVID-19 and 5G mobile phone networks. To think he just used to be that fresh faced sports presenter on Grandstand when I was a kid. I remember the media storm surrounding Icke at this time and in particular the reptilian conspiracy theory he promoted that shapeshifting lizard like aliens control Earth by taking on human form and gaining political power to manipulate human societies. Didn’t he even say that the Queen was a reptile? Fast forward 30 years and we are overrun by conspiracy theories including QAnon and the anti vaccination protesters in London this weekend. Icke and his son were at the latter by the way. Have we / Icke learned nothing?

Hopefully there will be no trace of a conspiracy theory or any playing of records backwards to reveal satanic messages in any of tonight’s acts…

…we start with EMF and their latest single “Children”. The third track to be taken from their “Schubert Dip” album, it was very much still in the same vein as previous hits “Unbelievable” and ‘I Believe” and maybe that was the problem. They were starting to sound a bit samey. Certainly there was a downturn in commercial fortunes with this one as it failed to make the Top 10 as its predecessors had and indeed only just scraped into the Top 20 at No 19. I mean, there was nothing wrong with it per se but watching the performance back, was there a tiny bit of melancholy in lead singer James Atkin’s eyes indicating that maybe this pop star lark wasn’t all it was cracked up to be?

A second album “Stigma” was released in 1992 but did little to reverse their decline in popularity and indeed was only in the charts for two weeks (its predecessor had charted for 19 weeks). By the time of 1995’s third album “Cha Cha Cha”, they had resorted to teaming up with another of tonight’s acts Vic Reeves for a version of The Monkees “I’m A Believer” which although a big hit (No3), failed to revive their career. Follow up single “Afro King” (which was actually fantastic) missed the charts and they disappeared before resurfacing in the new millennium for a series of reunions.

Just when I thought we’d got away without any conspiracy theory stuff, host Nicky Campbell (who seems to be on one tonight) hooks us back in with the old ‘what does EMF stand for?’ conundrum. Many a theory had been posited about this including ‘Epsom Mad Funkers’ but it was generally believed to be ‘Ecstasy Mother F*****s’. In any case it certainly wasn’t ‘Exciting New Music’ as Campbell jokes. Just lame. To be fair to Campbell, he did tweet this when the repeat was shown on BBC4 thereby demonstrating a bit of self knowledge at least:

I don’t remember this one at all …except I do. What am I talking about? Well, the track is “Ring Ring Ring (Ha Ha Hey)” by De La Soul which I have no recall of but the chorus is nicked from “Name And Number” by Curiosity Killed The Cat which is still in my memory banks (some might say unfortunately). This was the lead single from their second studio album “De La Soul Is Dead” but the only single I remember from that was the next one called “A Roller Skating Jam Named “Saturdays”” and its ‘Saturday, it’s a Saturday’ chorus.

Wasn’t there some fuss about the album’s title and also its cover with its fallen over, broken flower pot and strewn flowers image? Did some critics read into it that it meant that the trio were splitting up? In actual fact, it was meant to refer to a change in musical direction and the dead imagery referred to the death (or at least a deliberate distancing from) the “D.A.I.S.Y.” (Da Inner Sound, Y’all) scene. Although the album sold pretty well (it went Top 10 in the UK), it seems to me that it is nowhere near as revered as their iconic debut “3 Feet High And Rising”.

“Ring Ring Ring (Ha Ha Hey)” peaked at No 10.

This is the single I was meant to buy for my wife the other week but somehow I bought her home “The Shoop Shoop Song (It’s In His Kiss)” instead! How could I get Vic Reeves and Cher mixed up?!

Me not buying my wife Vic Reeves single in 1991

For two years we had all been enamoured with Vic Reeves Big Night Out on Channel 4 (at least myself and my wife had been) and I think I’m right in saying that the second and final series had just aired the week before this single came out. That single was a cover of “Born Free”, the title song from the 1966 film of the same name sung by Matt Monro (hence Nicky Campbell’s name check at the end of the performance). However, it wasn’t that track that my wife wanted but the B side which was “Oh! Mr Songwriter” with which Vic always closed each episode of Big Night Out.

Coming off the back of the success of the TV series, the single was a huge success peaking at No 6 and was followed by an album called “I Will Cure You” later in the year which would make the Top 20 and include an actual No 1 record in Vic’s collaboration with The Wonder Stuff on a cover of Tommy Roe’s “Dizzy”.

Vic can’t resist subverting the norms of a TOTP performance here by having his backing singers indulge in a plate of sandwiches half way though whilst he shows the audience a flip chart of birds. Here’s Vic on that performance via @TOTPFacts:

By the way, I did ultimately correct my error and buy the Vic Reeves single for my wife so no conspiracy there.

One of the best singles of the whole decade next? Possibly. “Get The Message” by Johnny Marr and Bernard Sumner super group Electronic appeared some 18 months after their first single “Getting Away With It”. The intervening length of time and the fact that “Getting Away With It” was so dominated by the distinctive vocals of Pet Shop Boy Neil Tennant made it feel like this single was almost by a new artist altogether. And what a song it was! It just sits together effortlessly, an almost perfect combination of Marr’s musicality, Sumner’s low register singing and Primal Scream vocalist Denise Johnson’s wonderful vocal talents at the song’s coda. Plus there was that incessantly catchy, swirling ‘wah-wa-wa wah’ sound effect at the end of the second chorus.

An eponymous album followed in May and I remember there being some disappointment amongst punters that the track listing didn’t include “Getting Away With It”. I think there was an import version of it that did include that track if you were prepared to pay around £18 for the CD though I’m not sure we sold many of those in the Our Price I was working in. Subsequent releases have rectified that omission. The album was a big success peaking at No 2 and selling over a million copies worldwide. “Get The Message” itself peaked at No 8.

Some Breakers and the TOTP producers are sticking with the pile ’em high strategy of the previous week as they cram 4 songs into 1 minute and 30 seconds. We start with Roachford whom we haven’t seen for nigh on two years. “Get Ready!” was the new single and also the title of their second album. I had a bit of a soft spot for Roachford – “Cuddly Toy” had been a floor filler at the Sunderland nightclub of my choice when I had been a student up in the North East – and though this track wasn’t anywhere near as immediate as their biggest ever hit, it was a bit of a grower I thought. It grew on me so much that I bought it in the end although it was from the bargain bin of our Summer sale later in the year. The album sold steadily though it was hampered by a lack of any further hit singles from it

I once saw Roachford live – it must have been about 1994 – as I got on the guest list for their gig via the Sony rep who came to our store. They were pretty good I have to say. Andrew Roachford would later join Mike + The Mechanics as their some time vocalist and also released an album as recently as 2020 called “Twice In a Lifetime” which charted at No 31 on the UK album chart – the first Roachford album to make the Top 40 for 23 years.

“Get Ready!” the single peaked at No 22.

Yet another AC/DC single! There have been a plague of them since I’ve been writing my 80s and 90s TOTP blogs. “Are You Ready” is their ninth Top 40 hit in the period I have covered and guess what? It sounds the same as all the other ones! No I don’t care, it does! Plus, the video is exactly the same as well – the band live in concert with Angus Young in his schoolboy uniform and Brian Johnson in his flat cap. Give it a rest! “Are You Ready” peaked at No 34 and was from the band’s gold selling album “The Razors Edge”.

I think I remember this next one or am I thinking of a different record altogether? Frances Nero had recorded for Motown in the 60s but her only UK Top 40 hit was “Footsteps Following Me”. Apparently it was written by Ian Levine, the man behind the UK Hi-NRG scene and who worked with a load of artists in the 80s including Pet Shop Boys, Bucks Fizz, Erasure, Kim Wilde, Bronski Beat and Bananarama. “Footsteps Following Me” peaked at No 17 and was dubbed by British DJs as ‘the soul anthem of the nineties’ (it says on Wikipedia).

What is that other tune that “Footsteps Following Me” reminds me of? Oh yeah, it’s this…

Did someone mention Bananarama earlier? Here they are doing The Doobie Brothers. I really don’t remember this but the internet tells me that their version of “Long Train Running” was the third single to be released from their “Pop Life” album and was basically only recorded to fill up the album track listing. The TOTP graphics team were at it again with this one calling it “Long Train Coming” which is probably another record altogether!

The 1973 original wasn’t a hit in the UK at the time but it was remixed in 1993 and became a Top 10 smash whilst this rather weedy sounding version by the Nanas peaked at No 30.

A bit of pop history now as the get our first national view of Blur. Hands up those watching this performance who thought this lot would become a giant figure bestriding the UK musical landscape for years to come? Yeah, me neither. I quite liked “There’s No Other Way” though I have to say. Somehow though, at the time, I didn’t feel the need to explore their debut album “Leisure” which was released a few months later. Had I done so and developed a loyalty to Blur three years before Oasis appeared, I may have been on their side in the war versus the Manc lads of 1995.

This performance though did little to convince me that they weren’t just another of those floppy fringed, indie bands like Ride but put into drug induced overdrive. Drug induced? Looks at the state fo Damon Albarn’s wide eyed stare and Alex James’s clueless leaping about. Both clearly under the influence. Don’t take my word for it though. Here’s Damon himself courtesy of @TOTPFacts:

The single peaked at No 8 whilst the album also went Top 10. Even so, their elevation into the national consciousness was still a good few years off. There’s no other way of seeing it though, “There’s No Other Way” was a statement of intent.

I said the other week that I didn’t remember “Seal Our Fate” by Gloria Estefan when it was included in the Breakers section. I clearly can’t have caught this episode of the show either as who could forget Gloria performing the single in that PVC dress?! Blimey! She has a whole parade of people up there on stage backing her (The Miami Sound Machine?) but nobody is looking at them. Erm…anyway…unusually the single was a bigger hit in the UK than it was in the US peaking at No 24 over here but only No 53 across the pond.

It was used in a Pepsi advert also featuring Gloria herself which I also don’t remember but here it is:

He’s still there for a fifth week at the top and as Nicky Campbell advises us, nobody had achieved such a run at No 1 since Paul Hardcastle with “19” in 1985. Was there some sort of music industry conspiracy happening to keep Chesney Hawkes in pole position for all this time? How could such a dastardly deed be done and to what end? Had anybody thought to ask David Icke about “The One And Only”?

Despite that plea from Jakki Brambles last week, Chezza doesn’t seems have had his locks shorn at all. To be fair, his brother on the drums has an even worse haircut. Are all those shrieks from the TOTP audience genuine or were they result of the floor staff whipping them up into a false frenzy? If Chesney-mania was a thing, it was very short-lived. Just one Top 30 single was to follow and that was that. Only Sajid Javid’s time as Health Secretary before he caught COVID himself was shorter. Chesney seems at one with himself and his time as a pop star though. He now lives in Los Angeles with his American wife Kristina and their three children and occasionally performs on the nostalgia circuit.

The play out video is “Quadrophonia” by Quadrophonia and guess what? I have zero recall of this one. This seems to be happening a lot lately. Back in the 80s I seemed to know every song that made the Top 40 (and a fair few that didn’t) but the 90s is proving a horse of a different colour altogether. Maybe I was out having a life as opposed to spending all my hours sat in a room listening to Radio 1.

Apparently this lot were a Dutch/Belgian electronic music collective – like we didn’t have enough of them clogging up the charts back then – who thought it would be a clever trick to make a play on words of the title of The Who’s 1973 album and the 1979 film it inspired. The sound that they came up with was a horrible noise. The end. Cue someone riding a Vespa over a cliff top at Beachy Head.

For the posterity’s sake, I include the chart run down below:

Order of appearanceArtistTitleDid I buy it?
1EMFChildrenNo but I bought that Afro King single the extra tracks on which were basically a mini greatest hits including Children
2De La Soul“Ring Ring Ring (Ha Ha Hey)”Nope
3Vic ReevesBorn FreeYes for my wife (eventually!)
4ElectronicGet The MessageNot the single but I must have it on something surely?
5Roachford Get Ready!Yes (albeit it from the bargain bin)
6AC/DCAre You Ready?Not for this garbage no
7Frances NeroFootsteps Following MeNah
8BananaramaLong Train RunningNo
9BlurThere’s No Other WaySee Electronic above
10Gloria EstefanSeal Our FateNegative
11Chesney HawkesThe One And OnlyI did not
12QuadrophoniaQuadrophoniaNot likely

Disclaimer

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree.

https://www.bbc.co.uk/iplayer/episode/m000xw3q/top-of-the-pops-25041991