TOTP 26 APR 1990

Welcome to the UK in late April 1990. We’ve just had the poll tax riots, the Strangeways prison revolt and in politics, Labour now have a 23-point lead over the Conservatives in the latest MORI poll – however, it would count for little when the next General Election rolled around in 1992 with the Tories winning a reduced but overall majority. Musically, we are in the grip of dance music and in particular ‘rave’ culture with massive gatherings taking place in fields and warehouses around the country. The 80s and its pop stars seems like a long time ago with the likes of Spandau Ballet, Duran Duran and Culture Club all either defunct, missing in action or struggling to remain relevant. Indeed, the day after this TOTPM aired, The Krays film opened in UK cinemas starring Spandau’s Kemp brothers as the notorious East End gangsters – being pop stars was no longer on their agenda it seemed.

So who were the pop stars of the day who had come in to replace those icons of yesteryear? Let’s find out shall we?….

…for f***’s sake! Well, the opening act tonight are not pop stars at all but Capital FM DJs blurring the divisions between presenters and performers by rebranding themselves as a bona fide chart act…it can only be Pat & Mick who are back with their rendition of “Use It Up And Wear It Out”. Look I know it was all for charity but this was just all levels of wrong. Having tormented us with “Let’s All Chant” in 1988 and “I Haven’t Stopped Dancing Yet” in 1989, they didn’t see fit to leave the whole sorry debacle in the 80s but carried on into the new decade with their version of the old Odyssey hit.

I actually watched this repeat back with my wife which doesn’t usually happen and our reactions were to it were quite the contrast. I was appalled and sat there on the sofa picking massive lumps out of it while she freely admitted that she probably danced to this back in the day! While I guffawed at the atrocious dancing on display not only by Pat & Mick but also by the studio audience members, she said she thought some of the moves on display were pretty good! Whaat?! OK there are a few things to unpack here. Firstly, why were the dancers in the background TOTP audience members and not ‘proper’ dancers in the first place? Was it to create a more realistic party atmosphere? Secondly, what instructions were they given about dance moves by the producers? Just do your own thing but keep it clean? Thirdly, what was the girl on the extreme right of screen on?! Check out her mad, arm waving moves! She’s lost in a world of her own. Even Mick gives her a concerned look at one point. Oh yes, Pat & Mick themselves – why was Mick wearing a suit while Pat was sporting some sort of faux Adam Ant military jacket? Why does Pat jump when he mimes the word ‘shake’? Surely he should …erm…shake at that point? Why has Pat still got that ridiculous mullet hair into the 90s? Why….oh just…why? Why? Why ? WHY?

When I googled Pat & Mick, one of the suggested other questions that people ask was ‘What is the meaning of Pat and Mick?’ Well, I couldn’t agree more – what is the meaning of them? However, when I clicked on the link I discovered that ‘Pat & Mick’ is also Cockney rhyming slang meaning ‘sick’ or ‘out of commission due to being unwell’. Excellent! Couldn’t be more appropriate as having to watch those two berks again has made me feel proper poorly!

“Use It Up And Wear It Out” peaked at No 22 and thankfully was the last of their chart hits.

Having mentioned The Krays film above, we now find a song from another film that was out this year . “Wild Women Do” by Natalie Cole was, of course, on the soundtrack to Pretty Woman which the third highest-grossing film worldwide in 1990. This Disney re-telling of George Bernard Shaw’s play Pygmalion starring Richard Gere and Julia Roberts proved irresistible to cinema goers as did its soundtrack which went double platinum in the UK and triple platinum in the US. As well as Natalie’s track, it included the career-rejuvenating hit “King of Wishful Thinking” by Go West, the career-making single “It Must Have Been Love” by Roxette and the career-retrospective remix hit “Fame 90” by David Bowie that featured on a recent TOTP repeat.

Up against those mega-selling hits, “Wild Women Do” kind of got lost in the mix a little. Indeed, it was only a No 34 hit in the US (whilst a slightly more respectable No 16 over here). It’s actually used in the film itself in the scenes where Vivian goes window shopping in Beverly Hills….

It didn’t really register on my radar as something I should be concerned with I have to say although I did catch the film at the cinema. I recall Gere also had another film out simultaneously called Internal Affairs where he played a very different character indeed to his Pretty Woman counterpart. Worth searching out that film in my humble opinion while we’re all stuck in our houses over Xmas.

I have no memory at all of this next act although my wife reckons she remembers them. Unique 3 anyone? Oh hold on, did they also do that “Cantaloop” hit? No, no they didn’t – that was Us3 it seems. Unique 3 were from Bradford and, despite my lack of memory of them, are actually regarded as ground breaking in the field of UK hip-hop by those in the know (not me then obviously). Cited by the likes of The Chemical Brothers, Coldcut and Goldie, “Musical Melody” was their only Top 40 hit but hey were massive on the club scene (it says here) paving the way for the Jungle, Drum & Bass and Nu-Skool Breaks scene (I have no idea what that last one is). It sounds a bit like Dream Warriors of “Wash Your Face In My Sink” and “My Definition Of A Boombastic Jazz Style” to my uncultured ears both of which I quite liked. Maybe I’m more dope than I realised!

“Musical Melody” peaked at No 29.

Bruno followed Pat Sharp’s lead with a military style look for tonight’s show

Time for some moronic behaviour from tonight’s host Bruno Brookes next as he tries to sound hip by saying “Yo! Unique 3 y’all” whilst perfecting an impression of Napoleon Bonaparte by having one arm inserted inside his jacket. WTF?!

When he finally does get on with introducing the next act, it’s Paula Abdul with her hit “Opposites Attract”. I couldn’t really be doing with this to be honest – the song was pretty unremarkable and then there was the pratting about with that cartoon cat in the video. I can imagine a conversation in the record label boardroom going something like this:

Label exec: “Look, we need to squeeze every last drop of sales out of the album so we’re going for one final, sixth (!) single but how do we market it?”. What’s popular right now?”

Marketing guy: “How about we get Paula to sing and dance with a cartoon rabbit like in that Who Framed Roger Rabbit film?”

Label exec: “Brilliant! Except let’s make it a different animal to ensure we don’y look like we’ve completely ripped off the idea.”

Marketing guy: “How about a ….cat?”

Label exec: “That’ll do”

It all just seemed very cynical to me. Apparently Izzy Stradlin from Guns N’ Roses once wrote a song for Paula. Not sure if she ever recorded it but a video of the wholesome Ms Abdul and rock ‘n roll casualty Izzy would have certainly been worth a watch.

Some Breakers now and we start with All About Eve and “Scarlet”. I’d sort of lost track of this lot by the start of the 90s and must admit this doesn’t sound familiar. It was the third and final single to be taken from sophomore album “Scarlet And Other Stories” and although pleasant enough, doesn’t really stand out from the rest of their folk goth rock twiddlings. The band notched up nine Top 40 hits during their career but curiously, seven of them all peaked somewhere between the Nos 38 and 30. Consistent I suppose though.

Surely nobody remembers this next one – Kid Creole And The Coconuts with “The Sex of It”? What that Kid Creole? The one who had that run of Top 10 hits back in ’82 with songs like “I’m a Wonderful Thing, Baby”, “Stool Pigeon” and “Annie, I’m Not Your Daddy”? It can’t be him? In the Top 40 in 1990? It surely is – let’s be realistic, there can’t have been two acts called Kid Creole And The Coconuts – and this song was written by Prince no less. Apart from the lead vocals being contributed by the Kid himself (August Darnell), everything else recorded on the track was courtesy of Prince and his band. It sounds like it as well. Amazingly, despite their European success, Kid Creole And The Coconuts only appeared in the Billboard Hot 100 chart on one occasion when “Hey Mambo” (with Barry Manilow bizarrely) peaked at No 90.

Someone else still having unlikely hits in to the 90s was Sinitta who was enjoying her penultimate Top 40 appearance with “Hitchin’ A Ride”. Having declined to work with Stock, Aitken and Waterman any further after her 1988 hit “I Don’t Believe In Miracles”, Sinitta embarked upon a run of three consecutive chart hits that were cover versions of songs that had previously been hits in the 70s – “Hitchin’ A Ride” had been a hit for Vanity Fare in 1970 whilst the other two were “Right Back Where We Started From” (Maxine Nightingale in 1975) and “Love On A Mountain Top” (Robert Knight in 1974). Though not exactly edifying stuff (let’s be fair, they were all hideous), she undoubtedly extended her chart life well beyond her natural talents with this strategy.

“Hitchin’ A Ride” peaked at No 24.

Right, what’s Brookes babbling on about now? “Next a real band with a fabulous cult following if it makes sense” he blathers whilst introducing Jesus Jones. Make sense? Not really Bruno but then that was never your strong point was it? He finishes the segue by pronouncing the last ‘real’ of “Real Real Real” with a growl. It looks and sounds odd at best and disturbing at worst.

I’m pretty sure that this is just a reshowing of their initial TOTP appearance from the other week rather than a brand new performance. The band are still together to this day 30 years later and with the original line up which takes some doing. How many other bands have the same line up and that kind of longevity? U2? The Rolling Stones (sort of)? Erm…A-ha?

The curious case of Jesus Jones and their rise and fall is quite the story. Look at these chart placings and then consider what a short space of time this commercial collapse happened within:

AlbumYear of releaseChart peak
Liquidiser198931
Doubt19911
Peverse19936
Already1997161

What happened? Was it the rise of ‘grunge’? The advent of ‘Britpop’? Or was it just that the music press, who had hailed them as the future of rock ‘n’ roll, turned on them and the whole ‘indie dance’ movement that the band were poster boys for. Check out this quote from the NME in 1993:

“There is something fundamentally wrong with Jesus Jones: they have no sense of the ridiculous. They are loathed by every man, woman and child in Christendom, because they are a plasticine pop group who refuse to accept the fact that they are the stuff of three-minute-flavoured pop sweets. They are The Monkees who want to be Emerson, Lake And Palmer; five Mike Nesmiths.”

Ouch! And anyway, what’s wrong with The Monkees? I love The Monkees!

“Real Real Real” peaked at No 19.

After Jesus Jones have finished, Brookes advises the watching millions that the band are a “wild bunch of fellas with a really dry sense of humour”. Yeah, thanks for that Bruno. As a piece of info worthy of broadcast, it’s about as useful as one of Viz character Roger Irrelevant’s musings and he once eloped with an armchair declaring it pregnant with his children.

Right, who’s next? Well it must be Jason Donovan or New Kids On The Block or someone similar as the TOTP audience are screaming and those yelps of excitement are for…Phil Collins?! Phil f***ing Collins?! Are you kidding me?! That’s a very low bar to instigate such a reaction. “Something Happened On The Way To Heaven” was the third single from Phil’s “…But Seriously” album and was a return to that uptempo faux Motown sound that he was prone to after the heavier sound of the previous two singles “Another Day In Paradise” and ‘I Wish It Would Rain Down”. It does skip and bounce along, I’ll give it that. It’s almost “Sussudio” Part II.

Apparently it was written for inclusion on the soundtrack to the film War Of The Roses but Danny de Vito, who directed and co-starred in the movie, didn’t like it and rejected it. Some excellent taste on display there from Danny. Someone else with good taste is the dog in the video who wanders around the set as Phil and his band rehearse the song and shits on stage near a backing singer and then pisses on the leg of the bassist who looks like cross between Yoffy from Fingerbobs and Gandalf. Someone give that dog a Scooby Snack – he’s earned it!

I once got into a Twitter row with the Absolute 80s radio station about this song when I pulled them up for it actually being released in 1990 rather than the previous decade so why were they playing it. Their retort was that it came from an album recorded and released in the 80s so it was legitimate. Well, all I can say is that it’s a good job they don’t have VAR for decade radio playlists as that is a clear and obvious error!

Yet another song and act I have no recall of next. Tongue ‘N’ Cheek arose from the ashes of Total Contrast (who I also can’t remember) who had a No 17 hit in 1985 with “Takes A Little Time” (Wikipedia tells me). “Tomorrow” was their biggest UK chart record peaking at No 20. They give an energetic performance with that jumping up and down dance move but I’m afraid the song doesn’t really do anything for me.

Apparently they had another hit a year later with a cover of Patrice Rushen’s “Forget Me Nots” but surely if we’re going to reference that song when it comes to 90s chart hits, we’re talking about it being sampled in George Michael’s “Fastlove” or Will Smith’s “Men In Black”. Unfortunately for Tongue ‘N’ Cheek, I’m being absolutely serious about that comment and not…erm…tongue in cheek.

It’s a third week at the top for Madonna and “Vogue”. It turns out that all 16 Hollywood stars name-checked in the song are now sadly dead after the last person still alive, Lauren Bacall, died in 2014. Meanwhile, the video for the song has now recorded 100 million views on YouTube thereby giving Madonna the title of the first female artist in history to have four songs from four different decades reach that milestone. What were the others? Well, they were “La Isla Bonita” from the 80s, “Hung Up” from the 2000s and “Bitch I’m Madonna” from the 2010s.

You can tell I’m struggling to think of anything else to say about this one can’t you?

Hands up who wants to see what a Bruce Dickinson solo career away from Iron Maiden looked like? Right, I can see one hand …from Bruce himself…anyone else? OK, that’s a bit harsh. I hadn’t realised quite what an extensive solo career the Dickster (ooh, went a bit Boris Johnson there) has had. I just thought it was limited to the “Tattooed Millionaire” album project but no. He’s released six studio albums and ten singles as a solo artist! Who knew? Put your hand down again Bruce!

I do remember this one and for my money it was just ever so slightly more melodic than your average Iron Maiden track but as with Phil Collins previously, that’s a pretty low bar. The album includes tracks with some very Iron Maiden sounding names though like “Hell On Wheels”, “Zulu Lulu” and the obligatory Spinal Tap -esque title “Lickin’ the Gun”. It also featured a pretty straight cover of David Bowie’s “All The Young Dudes’ which was of course made famous by Mott The Hoople who had a No 3 hit with it in 1972. Bruce’s version only reached No 23 – well, no point in trying to re-invent the wheel is there?

For posterity’s sake, I include the chart run down below:

Order of appearanceArtistSongDid I Buy it?
1Pat & MickUse It Up And Wear It UpWhat do you think?
2Natalie ColeWild Women DoNah
3Unique 3Musical MelodyNot for me
4Paula AbdulOpposites AttractI was repelled by this though  – no
5All About EveScarletNo
6Kid Creole And The CoconutsThe Sex Of ItNope
7SinittaHitchin’ A RideShittin’ a turd more like – no
8Jesus JonesReal Real RealDon’t think I did actually
9Phil CollinsSomething Happened On The Way To HeavenIt’s another no
10Tongue ‘N’ CheekTomorrowNegative
11MadonnaVogueNot the single but it’s on my Immaculate Collection CD
12Bruce DickinsonTattooed MillionaireAnd no

Disclaimer

OK – here’s the thing – the TOTP episodes are only available on iPlayer for a limited amount of time so the link to the programme below only works for about another month so you’ll have to work fast if you want to catch the whole show.

https://www.bbc.co.uk/iplayer/episode/m000pz16/top-of-the-pops-26041990

I make no claim to the rights of this show and all ownership and contents including logos and graphics belongs totally to the BBC or copyright holder(s).

All opinions on the music and artists featured are my own. Sorry if you don’t agree.

Some bedtime reading?

https://michaelmouse1967.wixsite.com/smashhits-remembered/1990-issues